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"text": "Marcello Mastroianni"
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"birthDate": {
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"year": 1924,
"month": 9,
"day": 26
}
},
"deathDate": {
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"year": 1996,
"month": 12,
"day": 19
}
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"plainText": "Marcello Mastroianni was born in Fontana Liri, Italy in 1924, but soon his family moved to Turin and then Rome. During WW2 he was sent to a German prison camp, but he managed to escape and hide in Venice. He debuted in films as an extra in Marionette (1939), then started working for the Italian department of \"Eagle Lion Films\" in Rome and joined a drama club, where he was discovered by director Luchino Visconti. In 1957 Visconti gave him the starring part in his Fyodor Dostoevsky adaptation White Nights (1957) and in 1958 he was fine as a little thief in Mario Monicelli's comedy Big Deal on Madonna Street (1958). But his real breakthrough came in 1960, when Federico Fellini cast him as an attractive, weary-eyed journalist of the Rome jet-set in La Dolce Vita (1960); that film was the genesis of his \"Latin lover\" persona, which Mastroianni himself often denied by accepting parts of passive and sensitive men. He would again work with Fellini in several major films, like the exquisite 8Ā½ (1963) (as a movie director who finds himself at a point of crisis) and the touching Ginger & Fred (1986) (as an old entertainer who appears in a TV show). He also appeared as a tired novelist with marital problems in Michelangelo Antonioni's La Notte (1961), as an impotent young man in Mauro Bolognini's Bell' Antonio (1960) , as an exiled prince in John Boorman's Leo the Last (1970), as a traitor in Paolo and Vittorio Taviani's Allonsanfan (1974) and as a sensitive homosexual in love with a housewife in Ettore Scola's A Special Day (1977). He was nominated for the Academy Award for Best Actor three times, for Divorce Italian Style (1961), A Special Day (1977), and Dark Eyes (1987). During the last decade of his life he worked with directors, like Theodoros Angelopoulos, Bertrand Blier and RaĆŗl Ruiz, who gave him three excellent parts in Three Lives and Only One Death (1996). He died of pancreatic cancer in 1996."
},
"bioHtml": "Marcello Mastroianni was born in Fontana Liri, Italy in 1924, but soon his family moved to Turin and then Rome. During WW2 he\nwas sent to a German prison camp, but he managed to escape and hide in\nVenice. He debuted in films as an extra in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0030420/\">Marionette (1939)</a>, then started\nworking for the Italian department of "Eagle Lion Films" in Rome and\njoined a drama club, where he was discovered by director\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0899581/\">Luchino Visconti</a>. In 1957 Visconti gave\nhim the starring part in his\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0234502/\">Fyodor Dostoevsky</a> adaptation\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050782/\">White Nights (1957)</a> and in\n1958 he was fine as a little thief in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0598102/\">Mario Monicelli</a>'s comedy\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052216/\">Big Deal on Madonna Street (1958)</a>. But his\nreal breakthrough came in 1960, when\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000019/\">Federico Fellini</a> cast him as an\nattractive, weary-eyed journalist of the Rome jet-set in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053779/\">La Dolce Vita (1960)</a>; that film was\nthe genesis of his "Latin lover" persona, which Mastroianni himself\noften denied by accepting parts of passive and sensitive men. He would\nagain work with Fellini in several major films, like the exquisite\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056801/\">8Ā½ (1963)</a> (as a movie director who finds\nhimself at a point of crisis) and the touching\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0091113/\">Ginger & Fred (1986)</a> (as an old\nentertainer who appears in a TV show). He also appeared as a tired\nnovelist with marital problems in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000774/\">Michelangelo Antonioni</a>'s\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054130/\">La Notte (1961)</a>, as an impotent young\nman in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006615/\">Mauro Bolognini</a>'s\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053643/\">Bell' Antonio (1960)</a> , as an\nexiled prince in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000958/\">John Boorman</a>'s\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065974/\">Leo the Last (1970)</a>, as a traitor in\nPaolo and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0851754/\">Vittorio Taviani</a>'s\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069690/\">Allonsanfan (1974)</a> and as a sensitive\nhomosexual in love with a housewife in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0778633/\">Ettore Scola</a>'s\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076085/\">A Special Day (1977)</a>.\nHe was nominated for the Academy Award for Best Actor three times, for\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055913/\">Divorce Italian Style (1961)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076085/\">A Special Day (1977)</a>,\nand <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093664/\">Dark Eyes (1987)</a>. During the\nlast decade of his life he worked with directors, like\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000766/\">Theodoros Angelopoulos</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0088397/\">Bertrand Blier</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0749914/\">RaĆŗl Ruiz</a>, who gave him three excellent\nparts in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0117968/\">Three Lives and Only One Death (1996)</a>.\nHe died of pancreatic cancer in 1996.",
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