Route Resolved ✅
Package: @imdb/name
Pattern: /name/[nconst]
Params: {"nconst":"nm0000065"}
SSR Data
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"text": "Nino Rota"
},
"birthDate": {
"dateComponents": {
"year": 1911,
"month": 12,
"day": 3
}
},
"deathDate": {
"dateComponents": {
"year": 1979,
"month": 4,
"day": 10
}
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"bio": {
"plainText": "Born in Milan in 1911 into a family of musicians, Nino Rota was first a student of Orefice and Pizzetti. Then, still a child, he moved to Rome where he completed his studies at the Conservatory of Santa Cecilia in 1929 with Alfredo Casella. In the meantime, he had become an 'enfant prodige', famous both as a composer and as an orchestra conductor. His first oratorio, \"L'infanzia di San Giovanni Battista,\" was performed in Milan and Paris as early as 1923 and his lyrical comedy, \"Il Principe Porcaro,\" was composed in 1926. From 1930 to 1932, Nino Rota lived in the USA. He won a scholarship to the Curtis Institute of Philadelphia where he attended classes in composition taught by Rosario Scalero and classes in orchestra taught by Fritz Reiner. He returned to Italy and earned a degree in literature from the University of Milan. In 1937, he began a teaching career that led to the directorship of the Bari Conservatory, a title he held from 1950 until his death in 1979. After his \"childhood\" compositions, Nino Rota wrote the following operas: Ariodante (Parma 1942), Torquemada (1943), Il cappello di paglia di Firenze (Palermo 1955), I due timidi (RAI 1950, London 1953), La notte di un neurastenico (Premio Italia 1959, La Scala 1960), Lo scoiattolo in gamba (Venezia 1959), Aladino e la lampada magica (Naples 1968), La visita meravigliosa (Palermo 1970), Napoli milionaria (Spoleto Festival 1977). He also wrote the following ballets: La rappresentazione di Adamo ed Eva (Perugia 1957), La Strada (La Scala 1965), Aci e Galatea (Rome 1971), Le Molière imaginaire (Paris and Brussels 1976) and Amor di poeta (Brussels 1978) for Maurice Béjart. In addition, there are countless works for orchestra that have been performed since before World War II and are still performed by orchestras in every part of the world. His work in film dates back to the early forties. His filmography includes the names of virtually all of the noted directors of his time. First among these is Federico Fellini. He wrote all of the movie scores for Fellini's films from The White Sheik (1952) in 1952 to Orchestra Rehearsal (1978) in 1978. Other directors include Renato Castellani, Luchino Visconti, Franco Zeffirelli, Mario Monicelli, Francis Ford Coppola (Oscar for best original score for The Godfather Part II (1974)), King Vidor, René Clément, Edward Dmytryk, and 'Eduardo de Filippo'. He also composed the music for many theatre productions by Visconti, Zefirelli, and de Filippo. In February of 1995, the Nino Rota Foundation was established at Fondazione Cini of Venice, Italy. Cini specializes in the works of 20th century Italian composers and includes the estate of Casella."
},
"bioHtml": "Born in Milan in 1911 into a family of musicians, Nino Rota was first a\nstudent of Orefice and Pizzetti. Then, still a child, he moved to Rome\nwhere he completed his studies at the Conservatory of Santa Cecilia in\n1929 with Alfredo Casella. In the meantime, he had become an 'enfant\nprodige', famous both as a composer and as an orchestra conductor. His\nfirst oratorio, "L'infanzia di San Giovanni Battista," was performed in\nMilan and Paris as early as 1923 and his lyrical comedy, "Il Principe\nPorcaro," was composed in 1926. From 1930 to 1932, Nino Rota lived in\nthe USA. He won a scholarship to the Curtis Institute of Philadelphia\nwhere he attended classes in composition taught by Rosario Scalero and\nclasses in orchestra taught by <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0717996/\">Fritz Reiner</a>. He returned to Italy and earned\na degree in literature from the University of Milan. In 1937, he began\na teaching career that led to the directorship of the Bari\nConservatory, a title he held from 1950 until his death in 1979. After\nhis "childhood" compositions, Nino Rota wrote the following operas:\nAriodante (Parma 1942), Torquemada (1943), Il cappello di paglia di\nFirenze (Palermo 1955), I due timidi (RAI 1950, London 1953), La notte\ndi un neurastenico (Premio Italia 1959, La Scala 1960), Lo scoiattolo\nin gamba (Venezia 1959), Aladino e la lampada magica (Naples 1968), La\nvisita meravigliosa (Palermo 1970), Napoli milionaria (Spoleto Festival\n1977). He also wrote the following ballets: La rappresentazione di\nAdamo ed Eva (Perugia 1957), La Strada (La Scala 1965), Aci e Galatea\n(Rome 1971), Le Molière imaginaire (Paris and Brussels 1976) and Amor\ndi poeta (Brussels 1978) for Maurice Béjart. In addition, there are\ncountless works for orchestra that have been performed since before\nWorld War II and are still performed by orchestras in every part of the\nworld. His work in film dates back to the early forties. His\nfilmography includes the names of virtually all of the noted directors\nof his time. First among these is <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000019/\">Federico Fellini</a>. He wrote all of the movie\nscores for Fellini's films from <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044000/\">The White Sheik (1952)</a> in 1952 to <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0079759/\">Orchestra Rehearsal (1978)</a> in 1978.\nOther directors include <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0144677/\">Renato Castellani</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0899581/\">Luchino Visconti</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001874/\">Franco Zeffirelli</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0598102/\">Mario Monicelli</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000338/\">Francis Ford Coppola</a>\n(Oscar for best original score for <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071562/\">The Godfather Part II (1974)</a>), <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0896542/\">King Vidor</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0167496/\">René Clément</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0229424/\">Edward Dmytryk</a>,\nand 'Eduardo de Filippo'. He also composed the music for many theatre productions by\nVisconti, Zefirelli, and de Filippo. In February of 1995, the Nino Rota\nFoundation was established at Fondazione Cini of Venice, Italy. Cini\nspecializes in the works of 20th century Italian composers and includes\nthe estate of Casella.",
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