Route Resolved ✅
Package: @imdb/name
Pattern: /name/[nconst]
Params: {"nconst":"nm0000079"}
SSR Data
{
"nconst": "nm0000079",
"name": {
"id": "nm0000079",
"nameText": {
"text": "Raquel Welch"
},
"birthDate": {
"dateComponents": {
"year": 1940,
"month": 9,
"day": 5
}
},
"deathDate": {
"dateComponents": {
"year": 2023,
"month": 2,
"day": 15
}
},
"bio": {
"plainText": "A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.\n\nShe was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles (\"Miss Photogenic,\" \"Miss La Jolla,\" \"Miss Contour,\" \"Miss Fairest of the Fair\" and \"Miss San Diego\").\n\nWith her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).\n\nOff campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.\n\nRegrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the \"beach party\" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.\n\nWith her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing \"lust\" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.\n\nBack in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the \"spaghetti western\" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.\n\nBox office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.\n\nTV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).\n\nWelch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as \"Woman of the Year\" and \"Victor/Victoria\". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).\n\nHer three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.\n\nShe died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease."
},
"bioHtml": "A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060782/\">One Million Years B.C. (1966)</a>, if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.<br/><br/>She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").<br/><br/>With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0193302/\">Damon Welch</a> (born 1959), who later became an actor/production assistant, and actress <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0193520/\">Tahnee Welch</a> (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088933/\">Cocoon (1985)</a>.<br/><br/>Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.<br/><br/>Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057733/\">Bewitched (1964)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055689/\">McHale's Navy (1962)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055710/\">The Virginian (1962)</a>) as well as the large screen (<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000062/\">Elvis Presley</a>'s <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058534/\">Roustabout (1964)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000013/\">Doris Day</a>'s <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059112/\">Do Not Disturb (1965)</a>). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059771/\">A Swingin' Summer (1965)</a>, which concentrated more on musical guests <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1335503/\">The Righteous Brothers</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1890442/\">Gary Lewis & The Playboys</a> than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.<br/><br/>With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060782/\">One Million Years B.C. (1966)</a> (the remake of <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032871/\">One Million B.C. (1940)</a>, in the role originated by <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0484808/\">Carole Landis</a>), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0177228/\">Peter Cook</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001545/\">Dudley Moore</a> in their vehicle <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061391/\">Bedazzled (1967)</a>, and as the title secret agent in the spy spoof <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061653/\">Fathom (1967)</a>. In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000052/\">Marcello Mastroianni</a>.<br/><br/>Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000987/\">Jim Brown</a> in the "spaghetti western" <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063970/\">100 Rifles (1969)</a>, and as the transgender title role in the unfathomable <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066115/\">Myra Breckinridge (1970)</a>. Adapted from <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000683/\">Gore Vidal</a>'s novel, she created some unwelcome notoriety by locking horns with septuagenarian diva <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0922213/\">Mae West</a> on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.<br/><br/>Box office bombs abounded. Try as she might in such films as <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068795/\">Kansas City Bomber (1972)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073903/\">The Wild Party (1975)</a>, which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072281/\">The Three Musketeers (1973)</a>, and appeared in the mystery thriller <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070291/\">The Last of Sheila (1973)</a>. She planned on making a comeback in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083717/\">Cannery Row (1982)</a>, even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.<br/><br/>TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084239/\">The Legend of Walks Far Woman (1980)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093862/\">Right to Die (1987)</a>, earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000404/\">Jane Fonda</a>).<br/><br/>Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098904/\">Seinfeld (1989)</a>. Into the millennium, she co-starred in the Hispanic-oriented TV series <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0303635/\">American Family (2002)</a> and the short-lived comedies <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0947799/\">Welcome to the Captain (2008)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt5012346/\">Date My Dad (2017)</a>, along with the movies <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0255653/\">Tortilla Soup (2001)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0250494/\">Legally Blonde (2001)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0393297/\">Forget About It (2006)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt4795124/\">How to Be a Latin Lover (2017)</a>.<br/><br/>Her three subsequent marriages were to producer/agent <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0193474/\">Patrick Curtis</a> (who produced her TV special, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0174154/\">Raquel (1970)</a>), director <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0918301/\">André Weinfeld</a> (who directed her in several fitness videos), and pizza parlor owner <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0658429/\">Richie Palmer</a>, who was 14 years her junior. All these unions ended in divorce.<br/><br/>She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.",
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BOTkyOTQwZmYtODdlOS00ZTI3LTg1MjgtNWU0N2E1OTgzMjViXkEyXkFqcGc@._V1_.jpg",
"width": 2400,
"height": 3000
},
"primaryProfessions": [
{
"category": {
"text": "Actress"
}
},
{
"category": {
"text": "Producer"
}
},
{
"category": {
"text": "Writer"
}
}
],
"awards": {
"nominations": 19,
"wins": 7
},
"knownFor": [
{
"title": {
"id": "tt0072281",
"titleText": {
"text": "The Three Musketeers"
},
"releaseYear": {
"year": 1973
}
},
"summary": {
"principalCategory": {
"text": "Actress"
}
}
},
{
"title": {
"id": "tt0060397",
"titleText": {
"text": "Fantastic Voyage"
},
"releaseYear": {
"year": 1966
}
},
"summary": {
"principalCategory": {
"text": "Actress"
}
}
},
{
"title": {
"id": "tt0061653",
"titleText": {
"text": "Fathom"
},
"releaseYear": {
"year": 1967
}
},
"summary": {
"principalCategory": {
"text": "Actress"
}
}
},
{
"title": {
"id": "tt0066115",
"titleText": {
"text": "Myra Breckinridge"
},
"releaseYear": {
"year": 1970
}
},
"summary": {
"principalCategory": {
"text": "Actress"
}
}
}
],
"filmography": [
{
"category": "Writer",
"credits": [
{
"title": {
"id": "tt0343691",
"titleText": {
"text": "From Raquel with Love"
},
"releaseYear": {
"year": 1980
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BZDU1OTE3MWQtMjQ3My00ZWQwLTg5MGEtZDgzOGUzMTkxMTUxXkEyXkFqcGc@._V1_.jpg"
}
}
}
]
},
{
"category": "Actress",
"credits": [
{
"title": {
"id": "tt5012346",
"titleText": {
"text": "Date My Dad"
},
"releaseYear": {
"year": 2017
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BNDRiMTA5NjAtODVkMy00N2ZhLWJiOTAtZDNjMmUxOTJkNDBlXkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Rosa"
]
},
{
"title": {
"id": "tt4795124",
"titleText": {
"text": "How to Be a Latin Lover"
},
"releaseYear": {
"year": 2017
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMmQ0NWZlMjMtNTc3Zi00YjE2LTkwYmEtOGE4ZmNmOTI5MGY3XkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Celeste"
]
},
{
"title": {
"id": "tt4738238",
"titleText": {
"text": "The Ultimate Legacy"
},
"releaseYear": {
"year": 2016
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BOGQ1ZmNlNjQtMDA0Yy00NmZiLThjNTYtYzJhMzFmYzI1NGNjXkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Miss Sally Mae Anderson"
]
},
{
"title": {
"id": "tt3077060",
"titleText": {
"text": "House of Versace"
},
"releaseYear": {
"year": 2013
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMjE1Njk2NzU1MF5BMl5BanBnXkFtZTgwMDgwMzAxMzE@._V1_.jpg"
}
},
"characters": [
"Aunt Lucia"
]
},
{
"title": {
"id": "tt0313043",
"titleText": {
"text": "CSI: Miami"
},
"releaseYear": {
"year": 2002
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BNGQ1NDZjMzQtMmE3OC00NWQ1LWJiOTItZWNkNmZlNWRmMTc5XkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Vina Navarro"
]
}
]
},
{
"category": "Producer",
"credits": [
{
"title": {
"id": "tt0068675",
"titleText": {
"text": "Hannie Caulder"
},
"releaseYear": {
"year": 1971
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BYzAwN2E5MTAtYjcyMC00NjlmLTlhNDgtY2Y0NzZmZmQ1NTllXkEyXkFqcGc@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt0062292",
"titleText": {
"text": "The Sorcerers"
},
"releaseYear": {
"year": 1967
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMDgzMDA0MjItNDZkNi00MTllLTgyMTItYTk5MjQ5ZTIyNjhkXkEyXkFqcGc@._V1_.jpg"
}
}
}
]
},
{
"category": "Costume Department",
"credits": [
{
"title": {
"id": "tt0062292",
"titleText": {
"text": "The Sorcerers"
},
"releaseYear": {
"year": 1967
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMDgzMDA0MjItNDZkNi00MTllLTgyMTItYTk5MjQ5ZTIyNjhkXkEyXkFqcGc@._V1_.jpg"
}
}
}
]
},
{
"category": "Music Department",
"credits": [
{
"title": {
"id": "tt5663788",
"titleText": {
"text": "This Girl's Back in Town"
},
"releaseYear": {
"year": 1987
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BOTA1Mjc5NDEtOTE4ZS00NzAwLTlkNzItNDQ1YzEwODA0ZmIyXkEyXkFqcGc@._V1_.jpg"
}
}
}
]
},
{
"category": "Thanks",
"credits": [
{
"title": {
"id": "tt20231352",
"titleText": {
"text": "The Oscars"
},
"releaseYear": {
"year": 2023
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BZjM4NDAyZDMtYjA4ZC00MmZhLTllNzktZDZlMWFmYzBiYTEzXkEyXkFqcGc@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt22092328",
"titleText": {
"text": "The 29th Annual Screen Actors Guild Awards"
},
"releaseYear": {
"year": 2023
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BN2ZiMDQ4OWQtZTY4YS00NWRlLWFkYjAtYTc1ZjY0NDVhZTMwXkEyXkFqcGc@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt16526408",
"titleText": {
"text": "Primordia"
},
"releaseYear": {
"year": 2021
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BZWYxY2Q3Y2UtYmE0MS00NmNhLWJjMzItYzdkZGNhYWVkZjdjXkEyXkFqcGc@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt3708368",
"titleText": {
"text": "Trans Am: Anthropocene"
},
"releaseYear": {
"year": 2014
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMTQ5MzE2NDkwOV5BMl5BanBnXkFtZTgwNzEzMDU0MjE@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt1572491",
"titleText": {
"text": "The Last Circus"
},
"releaseYear": {
"year": 2010
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMTY5MmUwMWItY2RhYS00OWY2LTg0YTItZTI3OTliYjZhNmM1XkEyXkFqcGc@._V1_.jpg"
}
}
}
]
},
{
"category": "Soundtrack",
"credits": [
{
"title": {
"id": "tt3799926",
"titleText": {
"text": "Dead Bullet"
},
"releaseYear": {
"year": 2016
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BNDBjZTZjMjEtNWNjYi00NDMxLWI3YjEtOTcyYWM0MDA1OWI5XkEyXkFqcGc@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt27510502",
"titleText": {
"text": "Va-Va Voom!"
},
"releaseYear": {
"year": 2005
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BN2ZhYWVhZjYtY2E4MS00ZjE4LWJhMWEtNjVhM2I1YTFlZWNjXkEyXkFqcGc@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt0115341",
"titleText": {
"text": "Sabrina the Teenage Witch"
},
"releaseYear": {
"year": 1996
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMzMyNDZiNWUtMTgzMS00Y2UwLWE3YTAtZjNmYzczMDQ1MDRlXkEyXkFqcGc@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt1047437",
"titleText": {
"text": "The 38th Annual Tony Awards"
},
"releaseYear": {
"year": 1984
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMjI0YmE1ZWUtYzQzOS00OGJhLWIxMWUtNjViZjg5NDk2MTNmXkEyXkFqcGc@._V1_.jpg"
}
}
},
{
"title": {
"id": "tt0343691",
"titleText": {
"text": "From Raquel with Love"
},
"releaseYear": {
"year": 1980
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BZDU1OTE3MWQtMjQ3My00ZWQwLTg5MGEtZDgzOGUzMTkxMTUxXkEyXkFqcGc@._V1_.jpg"
}
}
}
]
},
{
"category": "Self",
"credits": [
{
"title": {
"id": "tt0167515",
"titleText": {
"text": "Access Hollywood"
},
"releaseYear": {
"year": 1996
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BNzU2MWUxN2MtNjQzMi00MDg4LTk3NWUtNThhYmMxMWNjNDc4XkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self"
]
},
{
"title": {
"id": "tt5139360",
"titleText": {
"text": "WGN Morning News"
},
"releaseYear": {
"year": 1994
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BNjc2MmRiMjAtNjY1MS00NTBlLTk2ZGUtY2NlYTNkOWI0MWJhXkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self"
]
},
{
"title": {
"id": "tt0094547",
"titleText": {
"text": "Sidewalks Entertainment"
},
"releaseYear": {
"year": 1994
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMTIwMjViYTUtOGQwOC00MTJkLWI4YzItZWFhNWQzMzViZGQwXkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self - Guest"
]
},
{
"title": {
"id": "tt1740718",
"titleText": {
"text": "The Talk"
},
"releaseYear": {
"year": 2010
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BYTdhNWIwMTMtNDI4MC00OGEzLWEwZDYtODc1YmYyNzhkMTcxXkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self - Guest"
]
},
{
"title": {
"id": "tt0911896",
"titleText": {
"text": "Made in Hollywood"
},
"releaseYear": {
"year": 2005
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BMTQ4NjE1MDU3Nl5BMl5BanBnXkFtZTcwODU5NzE5Ng@@._V1_.jpg"
}
},
"characters": [
"Self"
]
}
]
},
{
"category": "Archive Footage",
"credits": [
{
"title": {
"id": "tt11635416",
"titleText": {
"text": "Les Chroniques du Mea"
},
"releaseYear": {
"year": 2012
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BODQ5Yzc1OTMtYzBmMS00ZTcxLWI3ZWEtNzgwNTQxYmU2NWU1XkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self"
]
},
{
"title": {
"id": "tt36956674",
"titleText": {
"text": "I'm Chevy Chase and You're Not"
},
"releaseYear": {
"year": 2025
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BYTQzNDdkYzgtMjVkMy00ODMzLWFjODUtMzk2MjM3MWQxYmJjXkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self - Actor"
]
},
{
"title": {
"id": "tt32150684",
"titleText": {
"text": "Liza: A Truly Terrific Absolutely True Story"
},
"releaseYear": {
"year": 2024
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BOTFkNjhiOGQtMzk3NC00YzkxLTk1NDctNzFiNzI2OGFjZDRkXkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self"
]
},
{
"title": {
"id": "tt19308034",
"titleText": {
"text": "Jim Henson: Idea Man"
},
"releaseYear": {
"year": 2024
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BODMyZGZiZDQtOTYyYy00MDA2LTkzZjgtYzEwZGIxNzlhMzEwXkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self - Actress"
]
},
{
"title": {
"id": "tt30496292",
"titleText": {
"text": "TCM Remembers 2023"
},
"releaseYear": {
"year": 2023
},
"primaryImage": {
"url": "https://m.media-amazon.com/images/M/MV5BYmY4YWM5YmYtOWYyMC00OTYxLThlNjAtMmE2MGZlYmYwMjU4XkEyXkFqcGc@._V1_.jpg"
}
},
"characters": [
"Self - Actress"
]
}
]
}
]
}
}