Route Resolved ✅
Package: @imdb/name
Pattern: /name/[nconst]
Params: {"nconst":"nm0000229"}
SSR Data
{
"nconst": "nm0000229",
"name": {
"id": "nm0000229",
"nameText": {
"text": "Steven Spielberg"
},
"birthDate": {
"dateComponents": {
"year": 1946,
"month": 12,
"day": 18
}
},
"deathDate": null,
"bio": {
"plainText": "One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.\n\nSteven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.\n\nSpielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in \"E.T.\" Spielberg was also one of the pioneers of the big-grossing special-effects movies, like \"E.T.\" and \"Close Encounters\", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up \"Raiders\" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.\n\nThe late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark \"Who Framed Roger Rabbit\", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as \"Steven Spielrock\". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.\n\nAs a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).\n\nSpielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.\n\nSpielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series \"Medal of Honor\" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment."
},
"bioHtml": "One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known\ndirector and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073195/\">Jaws (1975)</a>, and he has done more to define popular film-making since the mid-1970s than anyone else.<br/><br/>Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0818577/\">Arnold Spielberg</a>, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped\nout to pursue his entertainment career.\nAmong his\nearly directing efforts were Battle Squad (1961), which combined World\nWar II footage with footage of an airplane on the ground that he makes\nyou believe is moving. He also directed\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054857/\">Escape to Nowhere (1961)</a>, which\nfeatured children as World War Two soldiers, including his sister\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0818576/\">Anne Spielberg</a>, and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052991/\">The Last Gun (1959)</a>, a western.\nAll of these were short films. The next couple of years, Spielberg\ndirected a couple of movies that would portend his future career in\nmovies. In 1964, he directed\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059181/\">Firelight (1964)</a>, a movie about aliens\ninvading a small town. In 1967, he directed\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0249968/\">Slipstream (1967)</a>, which was\nunfinished. However, in 1968, he directed\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064010/\">Amblin' (1968)</a>, which featured the desert\nprominently, and not the first of his movies in which the desert would\nfeature. Amblin' also became the name of his production\ncompany, which turned out such classics as\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083866/\">E.T. the Extra-Terrestrial (1982)</a>.\nSpielberg had a unique and classic early directing project,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0067023/\">Duel (1971)</a>, with\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0915840/\">Dennis Weaver</a>. In the early 1970s,\nSpielberg was working on TV, directing among others such series as\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0785245/\">Rod Serling</a>'s\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065327/\">Night Gallery (1969)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063927/\">Marcus Welby, M.D. (1969)</a>\nand\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066932/\">Murder by the Book (1971)</a>.\nAll of his work in television and short films, as well as his directing\nprojects, were just a hint of the wellspring of talent that would\ndazzle audiences all over the world.<br/><br/>Spielberg's first major directorial effort was\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072226/\">The Sugarland Express (1974)</a>,\nwith <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000443/\">Goldie Hawn</a>, a film that marked him as\na rising star. It was his next effort, however, that made him an\ninternational superstar among directors:\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073195/\">Jaws (1975)</a>. This classic shark attack tale\nstarted the tradition of the summer blockbuster or, at least, he was\ncredited with starting the tradition. His next film was the classic\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075860/\">Close Encounters of the Third Kind (1977)</a>,\na unique and original UFO story that remains a classic. In 1978,\nSpielberg produced his first film, the forgettable\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077714/\">I Wanna Hold Your Hand (1978)</a>,\nand followed that effort with\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0081698/\">Used Cars (1980)</a>, a critically\nacclaimed, but mostly forgotten,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000621/\">Kurt Russell</a>/<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0912001/\">Jack Warden</a>\ncomedy about devious used-car dealers. Spielberg hit gold yet one more\ntime with\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0082971/\">Raiders of the Lost Ark (1981)</a>,\nwith <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000148/\">Harrison Ford</a> taking the part\nof Indiana Jones. Spielberg produced and directed two films in 1982.\nThe first was <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084516/\">Poltergeist (1982)</a>, but\nthe highest-grossing movie of all time up to that point was the alien\nstory\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083866/\">E.T. the Extra-Terrestrial (1982)</a>.\nSpielberg also helped pioneer the practice of product placement. The\nconcept, while not uncommon, was still relatively low-key when\nSpielberg raised the practice to almost an art form with his famous (or\ninfamous) placement of Reese's Pieces in "E.T." Spielberg was also one\nof the pioneers of the big-grossing special-effects movies, like "E.T."\nand "Close Encounters", where a very strong emphasis on special effects\nwas placed for the first time on such a huge scale. In 1984, Spielberg\nfollowed up "Raiders" with\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087469/\">Indiana Jones and the Temple of Doom (1984)</a>,\nwhich was a commercial success but did not receive the critical acclaim\nof its predecessor. As a producer, Spielberg took on many projects in\nthe 1980s, such as\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0089218/\">The Goonies (1985)</a>, and was the\nbrains behind the little monsters in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087363/\">Gremlins (1984)</a>. He also produced the\ncartoon\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0090633/\">An American Tail (1986)</a>, a\nquaint little animated classic. His biggest effort as producer in 1985,\nhowever, was the blockbuster\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088763/\">Back to the Future (1985)</a>,\nwhich made <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000150/\">Michael J. Fox</a> an\ninstant superstar. As director, Spielberg took on the book\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088939/\">The Color Purple (1985)</a>, with\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000155/\">Whoopi Goldberg</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001856/\">Oprah Winfrey</a>, with great success. In the\nlatter half of the 1980s, he also directed\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0092965/\">Empire of the Sun (1987)</a>, a\nmixed success for the occasionally erratic Spielberg. Success would not\nescape him for long, though.<br/><br/>The late 1980s found Spielberg's projects at the center of pop-culture\nyet again. In 1988, he produced the landmark animation/live-action film\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0096438/\">Who Framed Roger Rabbit (1988)</a>.\nThe next year proved to be another big one for Spielberg, as he\nproduced and directed <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0096794/\">Always (1989)</a> as\nwell as\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0097576/\">Indiana Jones and the Last Crusade (1989)</a>,\nand\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0096874/\">Back to the Future Part II (1989)</a>.\nAll three of the films were box-office and critical successes. Also, in\n1989, he produced the little known comedy-drama\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0097142/\">Dad (1989)</a>, with\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000493/\">Jack Lemmon</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001101/\">Ted Danson</a>, which got mostly mixed results.\nSpielberg has also had an affinity for animation and has been a strong\nvoice in animation in the 1990s. Aside from producing the landmark "Who\nFramed Roger Rabbit", he produced the animated series\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098929/\">Tiny Toon Adventures (1990)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0105941/\">Animaniacs (1993)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0112123/\">Pinky and the Brain (1995)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0111970/\">Freakazoid! (1995)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0170996/\">Pinky, Elmyra & the Brain (1998)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0105996/\">Family Dog (1993)</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0143068/\">Toonsylvania (1998)</a>. Spielberg\nalso produced other cartoons such as\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0095489/\">The Land Before Time (1988)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0108526/\">We're Back! A Dinosaur's Story (1993)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0112642/\">Casper (1995)</a> (the live action version) as\nwell as the live-action version of\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0109813/\">The Flintstones (1994)</a>, where\nhe was credited as "Steven Spielrock". Spielberg also produced many\nRoger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs\nand Tiny Toons specials. Spielberg was very active in the early 1990s,\nas he directed <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0102057/\">Hook (1991)</a> and produced such\nfilms as the cute fantasy\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099892/\">Joe Versus the Volcano (1990)</a>\nand\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0101329/\">An American Tail: Fievel Goes West (1991)</a>.\nHe also produced the unusual comedy thriller\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099052/\">Arachnophobia (1990)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099088/\">Back to the Future Part III (1990)</a>\nand\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099700/\">Gremlins 2: The New Batch (1990)</a>.\nWhile these movies were big successes in their own right, they did not\nquite bring in the kind of box office or critical acclaim as previous\nefforts. In 1993, Spielberg directed\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0107290/\">Jurassic Park (1993)</a>, which for a\nshort time held the record as the highest grossing movie of all time,\nbut did not have the universal appeal of his previous efforts. Big\nbox-office spectacles were not his only concern, though. He produced\nand directed\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0108052/\">Schindler's List (1993)</a>, a\nstirring film about the Holocaust. He won best director at the Oscars,\nand also got Best Picture. In the mid-90s, he helped found the\nproduction company DreamWorks, which was responsible for many\nbox-office successes.<br/><br/>As a producer, he was very active in the late 90s, responsible for such\nfilms as\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120746/\">The Mask of Zorro (1998)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119654/\">Men in Black (1997)</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120647/\">Deep Impact (1998)</a>. However, it was\non the directing front that Spielberg was in top form. He directed and\nproduced the epic <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118607/\">Amistad (1997)</a>, a\nspectacular film that was shorted at the Oscars and in release due to\nthe fact that its release date was moved around so much in late 1997.\nThe next year, however, produced what many believe was one of the best\nfilms of his career:\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120815/\">Saving Private Ryan (1998)</a>, a\nfilm about World War Two that is spectacular in almost every respect.\nIt was stiffed at the Oscars, losing best picture to\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0138097/\">Shakespeare in Love (1998)</a>.<br/><br/>Spielberg produced a series of films, including\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0251075/\">Evolution (2001)</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0171363/\">The Haunting (1999)</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0126029/\">Shrek (2001)</a>. he also produced two sequels\nto <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0107290/\">Jurassic Park (1993)</a>, which were\nfinancially but not particularly critical successes. In 2001, he\nproduced a mini-series about World War Two that definitely *was* a\nfinancial and critical success:\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0185906/\">Band of Brothers (2001)</a>, a\ntale of an infantry company from its parachuting into France during the\ninvasion to the Battle of the Bulge. Also in that year, Spielberg was\nback in the director's chair for\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0212720/\">A.I. Artificial Intelligence (2001)</a>,\na movie with a message and a huge budget. It did reasonably at the box\noffice and garnered varied reviews from critics.<br/><br/>Spielberg has been extremely active in films there are many other\nthings he has done as well. He produced the short-lived TV series\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0106126/\">SeaQuest 2032 (1993)</a>, an\nanthology series entitled\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088478/\">Amazing Stories (1985)</a>,\ncreated the video-game series "Medal of Honor" set during World War\nTwo, and was a starting producer of\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0108757/\">ER (1994)</a>. Spielberg, if you haven't\nnoticed, has a great interest in World War Two. He and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000158/\">Tom Hanks</a> collaborated on\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0250730/\">Shooting War: World War II Combat Cameramen (2000)</a>, a\ndocumentary about World War II combat photographers, and he produced a\ndocumentary about the Holocaust called\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0262468/\">Eyes of the Holocaust (2000)</a>.\nWith all of this to Spielberg's credit, it's no wonder that he's looked\nat as one of the greatest ever figures in entertainment.",
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{
"category": {
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{
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}
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{
"category": {
"text": "Director"
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],
"awards": {
"nominations": 578,
"wins": 220
},
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{
"title": {
"id": "tt0108052",
"titleText": {
"text": "Schindler's List"
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"year": 1993
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{
"title": {
"id": "tt0083866",
"titleText": {
"text": "E.T. the Extra-Terrestrial"
},
"releaseYear": {
"year": 1982
}
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"principalCategory": {
"text": "Producer"
}
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},
{
"title": {
"id": "tt0120815",
"titleText": {
"text": "Saving Private Ryan"
},
"releaseYear": {
"year": 1998
}
},
"summary": {
"principalCategory": {
"text": "Producer"
}
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},
{
"title": {
"id": "tt0082971",
"titleText": {
"text": "Raiders of the Lost Ark"
},
"releaseYear": {
"year": 1981
}
},
"summary": {
"principalCategory": {
"text": "Director"
}
}
}
],
"filmography": [
{
"category": "Director",
"credits": [
{
"title": {
"id": "tt15047880",
"titleText": {
"text": "Disclosure Day"
},
"releaseYear": {
"year": 2026
},
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},
{
"title": {
"id": "tt14208870",
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