Route Resolved ✅

Package: @imdb/name

Pattern: /name/[nconst]

Params: {"nconst":"nm0000268"}

SSR Data
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    "nameText": {
      "text": "Ann-Margret"
    },
    "birthDate": {
      "dateComponents": {
        "year": 1941,
        "month": 4,
        "day": 28
      }
    },
    "deathDate": null,
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      "plainText": "Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.\n\nAnn-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single \"I Just Don't Understand\" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname \"sex kitten.\" Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play \"A Streetcar Named Desire\" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today."
    },
    "bioHtml": "Actress and singer Ann-Margret is one of the most famous sex\nsymbols and actresses of the 1960s and beyond. She continued her career\nthrough the following decades and into the 21st century.<br/><br/>Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern\nUniversity and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0122675/\">George Burns</a> and\nsoon afterward got both a record deal at RCA and a film contract at\n20th Century Fox. In 1961, her single &quot;I Just Don&#39;t Understand&quot; charted\nin the Top 20 of the Billboard Hot 100 Charts. Her acting debut\nfollowed the same year as <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000012/\">Bette Davis</a>&#39;\ndaughter in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001008/\">Frank Capra</a>&#39;s\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055312/\">Pocketful of Miracles (1961)</a>.\nShe appeared in the musical\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056526/\">State Fair (1962)</a> a year later before\nher breakthrough in 1963. With\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056891/\">Bye Bye Birdie (1963)</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058725/\">Viva Las Vegas (1964)</a> opposite\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000062/\">Elvis Presley</a>, she became a Top 10 Box\nOffice star, teen idol and even Golden Globe nominated actress. She was\nmarketed as Hollywood&#39;s hottest young star and in the years to come got\nawarded the infamous nickname &quot;sex kitten.&quot; Her following pictures were\nsometimes ripped apart by critics\n(<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058998/\">Bus Riley&#39;s Back in Town (1965)</a>\nand <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061052/\">The Swinger (1966)</a>), sometimes\npraised\n(<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059037/\">The Cincinnati Kid (1965)</a>).\nShe couldn&#39;t escape being typecast because of her great looks. By the\nlate 1960s, her career stalled, and she turned to Italy for new\nprojects. She returned and, by 1970, she was back in the public image\nwith Hollywood films (<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066273/\">R.P.M. (1970)</a>\nopposite <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000063/\">Anthony Quinn</a>), Las Vegas\nsing-and-dance shows and her own television specials. She finally\novercame her image with her Oscar-nominated turn in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001566/\">Mike Nichols</a>&#39;\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066892/\">Carnal Knowledge (1971)</a> and\nsucceeded in changing her image from sex kitten to respected actress. A\nnear-fatal accident at a Lake Tahoe show in 1972 only momentarily\nstopped her career. She was again Oscar-nominated in 1975 for\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073812/\">Tommy (1975)</a>, the rock opera film of the\nBritish rock band <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1277963/\">The Who</a>. Her career continued\nwith successful films throughout the late 1970s and into the 1980s. She\nstarred next to <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000164/\">Anthony Hopkins</a>\nin <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077889/\">Magic (1978)</a> and appeared in pictures\nco-starring <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000527/\">Walter Matthau</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000432/\">Gene Hackman</a>,\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0413559/\">Glenda Jackson</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001702/\">Roy Scheider</a>. She even appeared in a\ntelevision remake of Tennessee Williams&#39;s masterpiece play &quot;A Streetcar\nNamed Desire&quot; in 1983. Another late career highlight for her was\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0107050/\">Grumpy Old Men (1993)</a> as the\nobject of desire for <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000493/\">Jack Lemmon</a> and\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000527/\">Walter Matthau</a>. She continues to act in\nmovies today.",
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          "text": "Actress"
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      "changeDirection": "UP",
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            "text": "Carnal Knowledge"
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            "text": "Bye Bye Birdie"
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            "year": 1963
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            "text": "Actress"
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            "text": "Made in Paris"
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            "text": "Taxi"
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                "text": "The Kominsky Method"
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        "url": "https://www.broadwayworld.com/bwwtv/article/Ann-Margret-and-Journalistic-Excellence-Honored-at-NAEJ-Awards-Gala-20191213",
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