Route Resolved ✅
Package: @imdb/name
Pattern: /name/[nconst]
Params: {"nconst":"nm0000690"}
SSR Data
{
"nconst": "nm0000690",
"name": {
"id": "nm0000690",
"nameText": {
"text": "Lesley Ann Warren"
},
"birthDate": {
"dateComponents": {
"year": 1946,
"month": 8,
"day": 16
}
},
"deathDate": null,
"bio": {
"plainText": "Entrancing, gorgeous Lesley Ann Warren started gearing towards a life in show business right off the bat as a young ballerina who trained at the School of American Ballet at the age of 14. Little did she know that Hollywood stardom would arrive on her doorstep in the form of a \"Cinderella\" story.\n\nThe New York-born actress (August 16, 1946) is the daughter of a night club singer, Margot Warren (née Verblow), and real estate agent, William Warren. Her mother had earlier given up her own entertainment career for marriage and family. Growing up, Lesley attended the Professional Children's School at the age of 6 and High School of Music & Art as a young teenager. At age 17, she studied under Lee Strasberg at his Actors Studio, the youngest student to ever be accepted at the time.\n\nLooking for on-camera work, the teenager appeared unbilled as Shelley Winters's young daughter in the melodrama The Chapman Report (1962) and was given a bit in the daytime TV show \"The Doctors.\" The slender, young hopeful gathered early musical stage experience in such shows as \"Bye Bye Birdie\" (as swooning teen Kim McAfee), then made an auspicious Broadway debut in \"110 in the Shade\", the 1963 musical version of \"The Rainmaker,\" and won Broadway's \"Most Promising Newcomer\" Award. She subsequently received the Theatre World Award for her lead work as a \"cat burglar\" opposite Elliott Gould in the very short-lived (8 performances) musical \"Drat! The Cat!\" in 1965.\n\nThe attention Lesley received from this brief stage venture, however, led to her capturing the beguiling title role in the Richard Rodgers/Oscar Hammerstein II TV musical production of Cinderella (1965) with Stuart Damon as her Prince and a glittering, all-star cast in support. The Walt Disney people immediate signed the exquisite \"Cinderella\" to a fresh-faced ingénue contract. Co-starring in the moderately-received musical showcases The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968), Lesley became convinced that she needed to quickly nip the saccharine stereotype in the bud if she was to grow and sustain as an adult actress.\n\nRebelling against her studio-imposed image, Lesley left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to \"Lesley Warren\" to reinforce her more mature goal, she was hired in 1970 to replace Barbara Bain in the long-running espionage series Mission: Impossible (1966) when Bain left over contractual issues. Audiences were quite cool in their reception to the \"new and improved\" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain.\n\nAfter only one season, Lesley realized her mission to grow was impossible (in spite of an encouraging Golden Globe nomination) and left the show, seeking greener pastures in the TV mini-movie market. She displayed a wide range of vulnerable neurotics as well as sexier ladies that began to alter her pristine image. Such 1970s material included the plane crash adventure Seven in Darkness (1969) as one of several blind survivors; the love drama Love Hate Love (1971) co-starring Ryan O'Neal; a failed pilot in the title role of Cat Ballou (1971); a mild western as one of The Daughters of Joshua Cabe (1972); the exotic \"silent star\" biopic The Legend of Valentino (1975); the rags-to-riches story Harold Robbins' 79 Park Avenue (1977), for which she won a Golden Globe award; the epic WWII story Pearl (1978); and the social melodramas Betrayal (1978) and Portrait of a Stripper (1979). Lesley also impressed with her starring roles in the Civil War miniseries Beulah Land (1980) and as a Polish-Jewish immigrant in Evergreen (1985). On stage, she ambitiously attempted to recreate Scarlett O'Hara opposite Pernell Roberts's Rhett Butler in a 1973 Broadway-bound musical version of \"Gone with the Wind: The Musical.\" The show quickly died on the West Coast before ever reaching New York.\n\nIn the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin James Garner's whiny-voiced, peroxide-blonde spitfire Norma Cassidy in the slapstick musical Victor/Victoria (1982). Earning both Oscar and Golden Globe nominations, this delightful, scene-stealing turn was followed by a couple of other quality offbeat films that were directed by Alan Rudolph -- Choose Me (1984) and Songwriter (1984). Warren went on to receive a Golden Globe nomination supporting Willie Nelson and Kris Kristofferson in the former, and a People's Choice Award for the latter. She continued to attempt to spread her wings as a worldly \"cougar\" type opposite young blond and boyish Christopher Atkins in the critically-panned drama A Night in Heaven (1983). She also played Miss Scarlet in the movie version of the board game Clue (1985).\n\nAward-worthy TV roles for Lesley with a Golden Globe performance as a successful madam in the miniseries Harold Robbins' 79 Park Avenue (1977). She also received Emmy and Golden Globe noms as the conflicted wife of a naval officer turned Russian double agent (Powers Boothe) in Family of Spies (1990), as well as for her Cable Ace nom for her work as a barmaid who aspires to be a country-western singer in Baja Oklahoma (1988). In 1997, she returned to Broadway with the musical revue \"Dream\" co-starring Margaret Whiting, which focused on classic \"Golden Age\" standards.\n\nEntering her sixth decade of acting, Lesley remains highly active well into the millennium with often high-maintenance roles in such films as the Losing Grace (2001), Secretary (2002), My Tiny Universe (2004), When Do We Eat? (2005), The Shore (2005), Stiffs (2010), I Am Michael (2015), The Sphere and the Labyrinth (2015) and 3 Days with Dad (2019). Among her later TV credits are \"Touched by an Angel,\" \"The Practice,\" \"Less Than Perfect,\" \"American Princess,\" and a recurring role as an overly dependent mom named Jinx in the mystery crime series In Plain Sight (2008). Her dim, riotous Norma Cassady role had TV often pitching her as a scatter-brained comedienne, as in her recurring TV guest parts on Will & Grace (1998) and Desperate Housewives (2004).\n\nLesley has a son, actor/producer Christopher Peters, from her 1967-'73 marriage to makeup artist/hair stylist-cum-film producer Jon Peters. Since 2000, she has been married to advertising exec and sometime actor Ron Taft, a former vice-president at Columbia."
},
"bioHtml": "Entrancing, gorgeous Lesley Ann Warren started gearing towards a life in show business right off the bat as a young ballerina who trained at the School of American Ballet at the age of 14. Little did she know that Hollywood stardom would arrive on her doorstep in the form of a "Cinderella" story.<br/><br/>The New York-born actress (August 16, 1946) is the daughter of a night club singer, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1139648/\">Margot Warren</a> (née Verblow), and real estate agent, William Warren. Her mother had earlier given up her own entertainment career for marriage and family. Growing up, Lesley attended the Professional Children's School at the age of 6 and High School of Music & Art as a young teenager. At age 17, she studied under <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0833448/\">Lee Strasberg</a> at his Actors Studio, the youngest student to ever be accepted at the time.<br/><br/>Looking for on-camera work, the teenager appeared unbilled as <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001859/\">Shelley Winters</a>'s young daughter in the melodrama <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055841/\">The Chapman Report (1962)</a> and was given a bit in the daytime TV show "The Doctors." The slender, young hopeful gathered early musical stage experience in such shows as "Bye Bye Birdie" (as swooning teen Kim McAfee), then made an auspicious Broadway debut in "110 in the Shade", the 1963 musical version of "The Rainmaker," and won Broadway's "Most Promising Newcomer" Award. She subsequently received the Theatre World Award for her lead work as a "cat burglar" opposite <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001285/\">Elliott Gould</a> in the very short-lived (8 performances) musical "Drat! The Cat!" in 1965.<br/><br/>The attention Lesley received from this brief stage venture, however, led to her capturing the beguiling title role in the <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006256/\">Richard Rodgers</a>/<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0358564/\">Oscar Hammerstein II</a> TV musical production of <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057950/\">Cinderella (1965)</a> with <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0198948/\">Stuart Damon</a> as her Prince and a glittering, all-star cast in support. The <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000370/\">Walt Disney</a> people immediate signed the exquisite "Cinderella" to a fresh-faced ingénue contract. Co-starring in the moderately-received musical showcases <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061749/\">The Happiest Millionaire (1967)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063389/\">The One and Only, Genuine, Original Family Band (1968)</a>, Lesley became convinced that she needed to quickly nip the saccharine stereotype in the bud if she was to grow and sustain as an adult actress.<br/><br/>Rebelling against her studio-imposed image, Lesley left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to "Lesley Warren" to reinforce her more mature goal, she was hired in 1970 to replace <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000828/\">Barbara Bain</a> in the long-running espionage series <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060009/\">Mission: Impossible (1966)</a> when Bain left over contractual issues. Audiences were quite cool in their reception to the "new and improved" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain.<br/><br/>After only one season, Lesley realized her mission to grow was impossible (in spite of an encouraging Golden Globe nomination) and left the show, seeking greener pastures in the TV mini-movie market. She displayed a wide range of vulnerable neurotics as well as sexier ladies that began to alter her pristine image. Such 1970s material included the plane crash adventure <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064965/\">Seven in Darkness (1969)</a> as one of several blind survivors; the love drama <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066008/\">Love Hate Love (1971)</a> co-starring <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0641939/\">Ryan O'Neal</a>; a failed pilot in the title role of <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066638/\">Cat Ballou (1971)</a>; a mild western as one of <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068447/\">The Daughters of Joshua Cabe (1972)</a>; the exotic "silent star" biopic <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073274/\">The Legend of Valentino (1975)</a>; the rags-to-riches story <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075515/\">Harold Robbins' 79 Park Avenue (1977)</a>, for which she won a Golden Globe award; the epic WWII story <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077059/\">Pearl (1978)</a>; and the social melodramas <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077227/\">Betrayal (1978)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0079739/\">Portrait of a Stripper (1979)</a>. Lesley also impressed with her starring roles in the Civil War miniseries <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0080197/\">Beulah Land (1980)</a> and as a Polish-Jewish immigrant in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088514/\">Evergreen (1985)</a>. On stage, she ambitiously attempted to recreate Scarlett O'Hara opposite <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0731490/\">Pernell Roberts</a>'s Rhett Butler in a 1973 Broadway-bound musical version of "Gone with the Wind: The Musical." The show quickly died on the West Coast before ever reaching New York.<br/><br/>In the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001258/\">James Garner</a>'s whiny-voiced, peroxide-blonde spitfire Norma Cassidy in the slapstick musical <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084865/\">Victor/Victoria (1982)</a>. Earning both Oscar and Golden Globe nominations, this delightful, scene-stealing turn was followed by a couple of other quality offbeat films that were directed by <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0748928/\">Alan Rudolph</a> -- <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087054/\">Choose Me (1984)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088153/\">Songwriter (1984)</a>. Warren went on to receive a Golden Globe nomination supporting <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005268/\">Willie Nelson</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001434/\">Kris Kristofferson</a> in the former, and a People's Choice Award for the latter. She continued to attempt to spread her wings as a worldly "cougar" type opposite young blond and boyish <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000803/\">Christopher Atkins</a> in the critically-panned drama <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086011/\">A Night in Heaven (1983)</a>. She also played Miss Scarlet in the movie version of the board game <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088930/\">Clue (1985)</a>.<br/><br/>Award-worthy TV roles for Lesley with a Golden Globe performance as a successful madam in the miniseries <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075515/\">Harold Robbins' 79 Park Avenue (1977)</a>. She also received Emmy and Golden Globe noms as the conflicted wife of a naval officer turned Russian double agent (<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000959/\">Powers Boothe</a>) in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099543/\">Family of Spies (1990)</a>, as well as for her Cable Ace nom for her work as a barmaid who aspires to be a country-western singer in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0094704/\">Baja Oklahoma (1988)</a>. In 1997, she returned to Broadway with the musical revue "Dream" co-starring <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0926014/\">Margaret Whiting</a>, which focused on classic "Golden Age" standards.<br/><br/>Entering her sixth decade of acting, Lesley remains highly active well into the millennium with often high-maintenance roles in such films as the <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0250513/\">Losing Grace (2001)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0274812/\">Secretary (2002)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0428865/\">My Tiny Universe (2004)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0392908/\">When Do We Eat? (2005)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0478033/\">The Shore (2005)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0476023/\">Stiffs (2010)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt3713030/\">I Am Michael (2015)</a>, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt3266322/\">The Sphere and the Labyrinth (2015)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt6385768/\">3 Days with Dad (2019)</a>. Among her later TV credits are "Touched by an Angel," "The Practice," "Less Than Perfect," "American Princess," and a recurring role as an overly dependent mom named Jinx in the mystery crime series <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0935095/\">In Plain Sight (2008)</a>. Her dim, riotous Norma Cassady role had TV often pitching her as a scatter-brained comedienne, as in her recurring TV guest parts on <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0157246/\">Will & Grace (1998)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0410975/\">Desperate Housewives (2004)</a>.<br/><br/>Lesley has a son, actor/producer <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0676368/\">Christopher Peters</a>, from her 1967-'73 marriage to makeup artist/hair stylist-cum-film producer <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005307/\">Jon Peters</a>. Since 2000, she has been married to advertising exec and sometime actor <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0846446/\">Ron Taft</a>, a former vice-president at Columbia.",
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