Claude Renoir

CinematographerCamera and Electrical DepartmentSet Decorator
Born
December 4, 1913
Died
September 5, 1993
Awards
0 wins, 1 nominations

Apprenticed under noted cinematographers Christian Matras and Boris Kaufman and shot or co-shot several films directed by his uncle, Jean Renoir. Renoir did the photography for one of his uncle's cinematic apogees, _Une partie de campagne (1936)_ and was the camera operator for the tragic, ebullient…

Biography

Apprenticed under noted cinematographers Christian Matras and Boris Kaufman and shot or co-shot several films directed by his uncle, Jean Renoir. Renoir did the photography for one of his uncle's cinematic apogees, _Une partie de campagne (1936)_ and was the camera operator for the tragic, ebullient master text Grand Illusion (1937). As a cinematographer, Claude Renoir was responsible for the luminous color work of The River (1951), _Carrosse d'or, Le (1952)_ and Elena and Her Men (1956). He also generated the stark black-and-white compositions of Maurice Cloche's Monsieur Vincent (1947) and the psychedelic 60s colors of Roger Vadim's Barbarella (1968). Renoir lensed a stunning array of films, including The Mystery of Picasso (1956), Cleopatra (1963) and Bertrand Blier's Femmes Fatales (1976). After his final DP credit, The Spy Who Loved Me (1977), Renoir worked as a cameraman on three films as he, sadly, lost his sight. Son of character actor Pierre Renoir.

Cinematographer

SphinxSphinx(1981)
The MedicThe Medic(1979)
Attention, the Kids Are WatchingAttention, the Kids Are Watching(1978)
La zizanieLa zizanie(1978)
AnimalAnimal(1977)

Set Decorator

Mont-OriolMont-Oriol(1980)

Camera and Electrical Department

Circus WorldCircus World(1964)
CleopatraCleopatra(1963)
Mr. OrchidMr. Orchid(1946)
ReunionReunion(1946)
The Last TurningThe Last Turning(1939)

Archive Footage

CompressionCompression(1995)as Self
Inside 'the Spy Who Loved Me'Inside 'the Spy Who Loved Me'(2000)as Self

Known for

Contribute to this page · Edit page