Hector Berlioz was born on December 11, 1803, into the family of Dr.
Louis Berlioz and Marie-Antoinette-Josephine. Hector was the first of
six children, three of whom died. He took music lessons at home from a
visiting teacher and played flute and guitar. By age 16 he wrote a song
for voice and guitar that was later reused for his "Symphonie
Fantastique."
In 1821 Berlioz went to Paris to study medicine. His impressions of the
Paris Opera performance of "Iphigenie en Tauride" by
Christoph Willibald Gluck
turned him on music forever. He spent more days at the Paris
Conservatory than at the medical school. In 1823 he started writing
articles on music for "Le Corsaire". He abandoned medicine for music
and successfully performed his "Messe Solennelle" in 1825. After being
"cursed" by his mother for abandoning medicine, his allowance from his
father was reduced, and was forced to take such jobs as a choir singer
to support himself. In 1828 he heard the 3rd and 5th Symphonies by
Ludwig van Beethoven and with that
impression he read "Faust" by
Johann Wolfgang von Goethe. With such
inspiration he started composing "La Damnation de Faust."
Berlios fell in love with Irish actress Harriet Smithson and became so
inspired that he finished the "Symphonie Fantastique." He premiered the
work and met
Franz Liszt at the premiere.
They became good friends and Liszt transcribed the "Symphonie
Fantastique" for piano. In 1830, after being rejected by Harriett
Smithson, Berlioz became engaged to pianist Camille Moke. He went to
Rome as the Prix de Rome Laureate and met
Felix Mendelssohn
and the Russian
Mikhail Glinka. All three
became friends for many years. At that time Berlioz received a letter
from his fiancée that she had decided to marry M. Camille Pleyel, a
wealthy piano maker in Paris. He decided to return to Paris and kill
his fiancée, Mr. Playel and himself, but the long trip cooled him down.
He stopped in Nice and composed "Le Roi Lear," inspired by
William Shakespeare's play
"King Lear".
Back in Paris he became friends with
Victor Hugo,
Alexandre Dumas,
NiccolĂČ Paganini,
Frédéric Chopin and
George Sand. He met writer
Ernest Legouve and they became lifelong
friends. In 1833 he finally married Harriet Smithson, with Liszt
himself as one of his witnesses. Their son was born in 1834. Later he
had a mistress, singer Marie Recio, whom he married after the death of
Hariet Smithson in 1852.
Berlioz was an influential music critic. He wrote about
Giacomo Meyerbeer, Mikhail Glinka,
Paganini, Liszt and other musicians. From 1834-38 he completed the
opera "Benvenuto Cellini". In 1938 his "Harold en Italie" was performed
at the Paris Conservatoire. His friend Paganini was so impressed by
that performance that he gave Berlioz 20,000 francs.
In the 1840s Berlioz toured in Europe and strengthened his friendship
with Mendelssohn-Bartholdy',
Richard Wagner,
Giacomo Meyerbeer and
Robert Schumann. After extensive
concertizing in Belgium and Germany, Berlioz returned to Paris. There
his friend Mikhail Glinka, who lived in Paris for over a year, came up
with the idea of concerts in Russia. Berlioz's joke "If the Emperor of
Russia wants me, then I am up for sale" was taken seriously. Having
Mikhail Glinka as a convert, Berlioz was invited to Russia twice, and
each tour brought him financial gain beyond his expectation. His deep
debts in Paris were all covered many times over after his first concert
tour of Russia in 1847. Back in Paris he was having difficulties in
funding performances of his massive works and lived on his witty
critical publications. His second tour of Russia in 1867 was so much
more attractive that Berlioz turned down an offer of $100,000 from
American Steinway to perform in New York. In St. Petersburg Berlioz
took special pleasure in performing with the first-rate orchestra of
the St. Petersburg Conservatory.
His second Russian concert tour was a successful finale to his career
and life. Berlioz never performed again. He died on March 8, 1869, and
was laid to rest at the Cimetiere de Montmartre with his two wives.