Surrealist-turned-catholic painter DalĂ worked on various movies as
well. While a member of the French surrealist group, he co-wrote
Un chien andalou (1929) and
L'Age d'Or (1930) with
Luis Buñuel. The latter may have marked the
beginning of a long-lasting quarrel with the surrealists when DalĂ did
not agree on Buñuel's anti-clericalism. While DalĂ's painting style
became increasingly conventional, he worked on projects with
Walt Disney
and
Alfred Hitchcock, for whom he wrote the dream sequence of
Spellbound (1945). Plans on
a movie with the Marx Brothers were dropped. The money DalĂ earned in
Hollywood and elsewhere, along with his racism and his fascination for
Europe's fascist dictators, put an end to his relations with the (at
that time mostly trotskyist) surrealists, whose leading figure
André Breton
since nicknamed DalĂ "Avida Dollars" (anagram).