Bonnie Franklin, of the freckled, fair-skinned, hazel-eyed,
rosy-cheeked, carrot-haired variety, could light up a room with her
buoyant, folksy personality, but she could be quite serious in a
take-charge manner when it came to purposeful acting work. It took
Norman Lear and a highly popular TV sitcom
to finally make the 31-year-old performer a household star in the
mid-1970s.
She was born Bonnie Gail Franklin in Santa Monica, California on
January 6, 1944, the daughter of Samuel Benjamin, an investment banker,
and Claire (née Hersch) Franklin, both of Jewish descent. She was
thrust onto the stage at a very young age as a child tap dancer and
became the protégé of consummate tapper
Donald O'Connor. At age 9, she performed
with O'Connor on NBC's
The Colgate Comedy Hour (1950).
A year later, she performed as one of the Cratchit daughters in the
Shower of Stars (1954) TV
version of "A Christmas Carol", starring
Fredric March and
Basil Rathbone as "Scrooge" and "Marley",
respectively. The young girl then appeared, unbilled on film, playing
sweet young things in the rural comedy,
The Kettles in the Ozarks (1956),
Alfred Hitchcock's
The Wrong Man (1956) and the
Sandra Dee/
Troy Donahue's
box office tearjerker,
A Summer Place (1959).
At age 13, the family moved from Santa Monica to upper-scale Beverly
Hills. Graduating from Beverly Hills High School in 1961, Bonnie
studied at Smith College for a time where the freshman co-ed acted in
an Amherst College production of "Good News". She then transferred to
UCLA and majored in English. Following her studies, she returned to TV
and appeared in lightweight comedies that welcomed her perky,
pixie-like presence. These included mid-to-late 1960s episodes of
Mr. Novak (1963),
Gidget (1965),
The Man from U.N.C.L.E. (1964),
Please Don't Eat the Daisies (1965)
and
The Munsters (1964). In
1967, she married
Ronald Sossi, a
playwright best-known for his writing/producing chores on the TV
series,
The Rat Patrol (1966).
The marriage, however, was short-lived and ended in 1970.
It was on the musical stage that Bonnie found breakthrough success.
Following diligent work in "Drat the Cat!" (1965), "Your Own Thing"
(1968), "George M.!" (1969) and "Dames at Sea" (1969), she took her
first Broadway curtain call in "Applause", the well-received 1970
musical version of
All About Eve (1950), starring
Lauren Bacall. Bonnie played a theater
"gypsy", named "Bonnie", who sings and dances to the title song backed
by her "band of gypsies". Bonnie won the Outer Critics and Theatre
World awards and a 1970 Tony nomination for her effort here. She
continued on the stage with prime roles in "A Thousand Clowns" (1971),
the title role in "Peter Pan" (1973), and the revue "Oh, Coward!"
(1975).
It wasn't until Bonnie was handed the prime role of "Ann
Romano", a divorced mom raising two daughters
(
Mackenzie Phillips and
Valerie Bertinelli) on
One Day at a Time (1975),
did she become a viable star. Although her contagious cheerfulness and
beaming smile was part of her value on the comedy show, Franklin
desired to focus on taboo TV subjects such as divorce, birth control,
sexual harassment and suicide, as well as getting laughs. While the
program didn't match the ground-breaking importance or success of an
All in the Family (1971),
the show did command consistent and respectable ratings ("Top 20" for
seven of its nine years) and lasted on CBS until 1984. Bonnie received
one Emmy nomination and two Golden Globe nominations during the
sitcom's run, and managed to find time to squeeze in a few other
TV-movie projects as well --
A Guide for the Married Woman (1978),
Breaking Up Is Hard to Do (1979),
the title role in
Portrait of a Rebel: The Remarkable Mrs. Sanger (1980)
and
Your Place... or Mine (1983).
Bonnie also directed episodes of
One Day at a Time (1975),
Karen's Song (1987)
Charles in Charge (1984)
and
The Munsters Today (1988).
Following the show's demise, Bonnie seemed to keep a lower profile on
camera, focusing instead on theatre roles and in several humanitarian
efforts. Sporadic guest roles on
Burke's Law (1994) (revived),
Almost Perfect (1995) and
Touched by an Angel (1994)
was highlighted by a 2005 TV reunion with her
One Day at a Time (1975) TV
family,
The One Day at a Time Reunion (2005).
Her return to the theatre, after a break of 14 years, included roles in
a variety of plays: "Happy Birthday and Other Humiliations" (1987),
"Annie Get Your Gun" (1988) (as "Annie Oakley"), "Frankie and Johnny in
the Clair de Lune" (1988), "Love and Guilt and the Meaning of Life"
(1990), "Grace & Glorie" (1996), "All I Need to Know I Learned in
Kindergarten" (1997), "Who's Afraid of Virginia Woolf?" (1999), "Same
Time, Next Year" (2000), "Dancing at Lughnasa" (2003), "A Touch of the
Poet" (2005), "A Delicate Balance" (2007) and as crotchety "Ouisar" in
"Steel Magnolias" (2011). In addition, she put together and toured in
her own cabaret act and appeared in nearly a dozen staged readings with
Los Angeles' Classic and Contemporary American Playwrights.
Bonnie was a tireless activist for a variety of charities and civic-oriented
issues, among them AIDS care and research and the Stroke Association of
Southern California. More recently, Bonnie reunited with "One Day at a
Time" daughter
Valerie Bertinelli in
a 2011 episode of Bertinelli's sitcom,
Hot in Cleveland (2010),
and, a year later, played a recurring nun in the daytime
The Young and the Restless (1973).
In September of 2012, Bonnie was diagnosed with pancreatic cancer and
died several months later on March 1, 2013. Her second husband of 29
years, TV/film producer
Marvin Minoff, who
produced Bonnie's TV movie,
Portrait of a Rebel: The Remarkable Mrs. Sanger (1980),
as well as the film,
Patch Adams (1998), died in 2009.