This movie cowboy was actually born in New Jersey just before the turn
of the 20th century, the son of a Protestant minister. He sang in his
father's church choir, and after graduating high school he attended the
private Blair Academy and then continued his musical training at New
York's famous Julliard School (then known as the Institute of Musical
Arts). Upon graduation he enlisted in the army and saw combat during
World War I in France. After his discharge he taught music for a time
in Bernards (NJ) High School.
His musical career picked up some steam and he was hired by the
American Opera Company, but after a while decided he was just spinning
his wheels there and tried his luck on Broadway. He fared better on The
Great White Way, and by the mid-'30s he had made enough of a name for
himself that Hollywood came calling, and he headed west to make
musicals. He appeared in about a half-dozen of them, then branched out
to other genres, showing up in some dramas and even a western or two.
He bounced around the lower-level studios for a while, then in 1941 he
landed a job with bottom-rung Producers Releasing Corp. (PRC) for a
series of singing westerns in which he would star as "The Lone Rider".
PRC was not, to be charitable, noted for its lavish production values
and the films were pretty threadbare. In 1942 "B" western star
Robert Livingston became
available after his contract with Republic Pictures ended. Houston was
reportedly unhappy with the paltry pay scale at PRC and PRC was unhappy
that his "Lone Rider" series wasn't doing better than it was.
Livingston, who had been part of the well-received "Three Mesquiteers"
series at Republic, was considered by PRC to be a bigger box-office
draw than Houston. The combination of all these factors did not bode
well for Houston's career, and after his 11th picture for PRC in 1942
he was let go and replaced by Livingston.
Houston left the movie business after that, and in 1944 he collapsed on
a street in Hollywood, dead of a heart attack.