Route Resolved ā
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Pattern: /name/[nconst]
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"birthDate": {
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"month": 4,
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}
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"month": 8,
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"bio": {
"plainText": "Carolyn Sue Jones was born in 1930, in Amarillo, Texas, to homemaker Chloe (or Cloe) Jeanette Southern (1906-1979), and Julius Alfred Jones (1897-1979), a barber. Her sister was Bette (later Mrs. Moriarty). Carolyn was an imaginative child, much like her mother; she and her mother shared the same birthday (April 28).\n\nIn 1934, her father abandoned the family and her mother moved them in with her own parents, also in Amarillo. As a child, Carolyn suffered from severe asthma. Although she loved movies, she was often too sick to attend, so she listened to her favorites, Danny Kaye and Spike Jones and read as many movie fan magazines as she could. She dreamed of attending the famed Pasadena Playhouse and received many awards at school for speech, poetry, and dramatics. In 1947, she was accepted as a student at the Pasadena Playhouse, and her grandfather agreed to pay for her classes. She worked in summer stock to supplement her income, graduating in 1950.\n\nShe gave herself a complete head-to-toe makeover, including painful cosmetic nose surgery to make herself ready for movie roles. Working as an understudy at the Players Ring Theater, she stepped in when the star left to get married. She was seen by a talent scout from Paramount and given a screen test, which went well. She made her first appearance in The Turning Point (1952). She did some other work during her 6-month contract, but when it ended, Paramount, suffering from television's impact, let it lapse. She quipped, \"They let me and 16 secretaries go!\"\n\nShe started working in television but kept busy on stage as well. There, she met a fellow Texan, a young man named Aaron Spelling, and they became a couple. She made a breakthrough in the 3-D movie House of Wax (1953) and garnered excellent reviews. Aaron was still struggling, so he felt he wasn't able to propose to Carolyn; she finally proposed to him. They were married in April 1953. Neither was earning much, but they really enjoyed each other and their life. Many saw them as an ideal couple. She decided against having children as she felt she could not juggle the demands of both a career and a family.\n\nColumbia Pictures saw her and wanted to test her for the part of prostitute Alma Burke in From Here to Eternity (1953), but she got extremely sick with pneumonia and the part went to Donna Reed, nine years older, who won an Academy Award. Jones did, however, achieve success in the science-fiction classic Invasion of the Body Snatchers (1956), a subtle allegory of the times (McCarthyism). And the famous filmmaker Alfred Hitchcock cast her in The Man Who Knew Too Much (1956) opposite James Stewart and Doris Day. Meanwhile, Aaron had little success as an actor and Carolyn pushed him to become a writer, even threatening to leave him. She constantly promoted his scripts whenever she could and he was ultimately hired by Dick Powell. Carolyn, meanwhile, was successful once more in The Bachelor Party (1957) (famous line, \"Just say you love me--you don't have to mean it!\"). For this role, she surprised cast members by dyeing her hair black and cutting it short. This stunning look served her well for a number of roles. For her eight minutes on screen, she received glowing reviews and was nominated for an Academy Award but lost. However, she did win the Golden Globe Award and the Laurel Award for Marjorie Morningstar (1958). She followed this with an impressive appearance in King Creole (1958), generally regarded as Elvis Presley's best film. She then gave arguably her best performance ever in Career (1959), but the film was not commercially successful. She played a serious role in this, leaving the kooky role she might have played to Shirley MacLaine.\n\nAs Aaron's career soared, the marriage started to fail. They separated in October 1963 and amicably divorced in August 1965, with Carolyn asking for no alimony. They remained friends. She worked at various roles including two episodes of Burke's Law (1963) for which she received a Golden Globe nomination. Soon, she got the part for which she will best be remembered, that of Morticia Addams in The Addams Family (1964). She spent two years in this role. Her costume was designed to copy the cartoon drawings and no doubt inspired such imitators as Cassandra Peterson (Elvira, Mistress of the Dark). The show went head-to-head with The Munsters (1964) and Bewitched (1964).\n\nThe show was a hit and she received all the fame she had craved. However, the network decided to cancel the show, despite its success, after only two years. Typecast as Morticia but without the income that a few more years would have provided, she found life difficult and roles few. While acting on the road, she married her voice coach, Herbert Greene, a well-known and respected Broadway conductor and musical director, and they moved together to Palm Springs, California. After seven years, she left him and returned to Hollywood, determined to try to restart her career. She was surprisingly successful and performed in several shows, including Wonder Woman (1975), where she played Hippolyta, the mother of Wonder Woman (Lynda Carter) and Wonder Girl (Debra Winger). She also appeared in the landmark miniseries Roots (1977). She appeared in four episodes of Fantasy Island (1977) and one episode of The Love Boat (1977), two shows produced by her former husband, Aaron Spelling. In 1979, both of Jones's parents died; her mother from pancreatic cancer. She took on the role of Myrna Clegg on the soap Capitol (1982) from 1982 to 1983, despite having been diagnosed with colon cancer in 1981. She underwent aggressive treatment for the cancer, but it returned during her time on the show and she was told it was terminal.\n\nShe played some scenes despite being confined to a wheelchair and working in great pain. Knowing time was short, she married her boyfriend of five years, Peter Bailey-Britton, in September 1982. She died on August 3, 1983, aged 53. She had told her sister Bette that she wanted her epitaph to be \"She gave joy to the world.\" She certainly had many friends who loved her greatly, and many fans who enjoyed her wonderful performances."
},
"bioHtml": "Carolyn Sue Jones was born in 1930, in Amarillo, Texas, to homemaker Chloe (or Cloe) Jeanette Southern (1906-1979), and Julius Alfred Jones (1897-1979), a barber. Her sister was Bette (later Mrs. Moriarty). Carolyn was an imaginative child, much like her mother; she and her mother shared the same birthday (April 28).<br/><br/>In 1934, her father abandoned the family and her mother moved them in with her own parents, also in Amarillo. As a child, Carolyn suffered from severe asthma. Although she loved movies, she was often too sick to attend, so she listened to her favorites, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001414/\">Danny Kaye</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005066/\">Spike Jones</a> and read as many movie fan magazines as she could. She dreamed of attending the famed Pasadena Playhouse and received many awards at school for speech, poetry, and dramatics. In 1947, she was accepted as a student at the Pasadena Playhouse, and her grandfather agreed to pay for her classes. She worked in summer stock to supplement her income, graduating in 1950.<br/><br/>She gave herself a complete head-to-toe makeover, including painful cosmetic nose surgery to make herself ready for movie roles. Working as\nan understudy at the Players Ring Theater, she stepped in when the star left to get married. She was seen by a talent scout from Paramount and\ngiven a screen test, which went well. She made her first appearance in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045267/\">The Turning Point (1952)</a>. She\ndid some other work during her 6-month contract, but when it ended, Paramount, suffering from television's impact, let it lapse. She quipped, "They let me and 16 secretaries go!"<br/><br/>She started working in television but kept busy on stage as well. There, she met a fellow Texan, a young man named <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005455/\">Aaron Spelling</a>, and they became a couple. She made a breakthrough in the 3-D movie <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045888/\">House of Wax (1953)</a> and garnered excellent reviews. Aaron was still struggling, so he felt he wasn't able to propose to Carolyn; she finally proposed to him. They were married in April 1953. Neither was earning much, but they really enjoyed each other and their life. Many saw them as an ideal couple. She decided against having children as she felt she could not juggle the demands of both a career and a family.<br/><br/>Columbia Pictures saw her and wanted to test her for the part of prostitute Alma Burke in\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045793/\">From Here to Eternity (1953)</a>, but she got extremely sick with pneumonia and the part went to <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001656/\">Donna Reed</a>, nine years older, who won an Academy Award. Jones did, however, achieve success in the science-fiction classic <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049366/\">Invasion of the Body Snatchers (1956)</a>,\na subtle allegory of the times (McCarthyism). And the famous filmmaker <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000033/\">Alfred Hitchcock</a> cast her in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049470/\">The Man Who Knew Too Much (1956)</a> opposite <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000071/\">James Stewart</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000013/\">Doris Day</a>. Meanwhile, Aaron had little success as an actor and Carolyn pushed him to become a writer, even threatening\nto leave him. She constantly promoted his scripts whenever she could and he was ultimately hired by\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0694090/\">Dick Powell</a>. Carolyn, meanwhile, was\nsuccessful once more in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050156/\">The Bachelor Party (1957)</a>\n(famous line, "Just say you love me--you don't have to mean it!"). For this role, she surprised cast members by dyeing her hair black and cutting it short. This stunning look served her well for a number of roles. For her eight minutes on screen, she received glowing reviews and was nominated for an Academy Award but lost. However, she did win the Golden Globe Award and the Laurel Award for <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051911/\">Marjorie Morningstar (1958)</a>. She followed this with\nan impressive appearance in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051818/\">King Creole (1958)</a>, generally regarded as <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000062/\">Elvis Presley</a>'s best film. She then gave arguably her best performance ever in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052673/\">Career (1959)</a>, but the film was not\ncommercially successful. She played a serious role in this, leaving the kooky role she might have played to <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000511/\">Shirley MacLaine</a>.<br/><br/>As Aaron's career soared, the marriage started to fail. They separated in October 1963 and amicably divorced in August 1965, with Carolyn asking for no alimony. They remained friends. She worked at various roles including two episodes of <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056745/\">Burke's Law (1963)</a> for which she received a Golden Globe nomination. Soon, she got the part for which she will best be remembered, that of Morticia Addams in <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057729/\">The Addams Family (1964)</a>. She spent two years in this role. Her costume was designed to copy the\ncartoon drawings and no doubt inspired such imitators as <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005308/\">Cassandra Peterson</a> (Elvira, Mistress\nof the Dark). The show went head-to-head with\n<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057773/\">The Munsters (1964)</a> and <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057733/\">Bewitched (1964)</a>.<br/><br/>The show was a hit and she received all the fame she had craved. However, the network decided to cancel the show, despite its success,\nafter only two years. Typecast as Morticia but without the income that a few more years would have provided, she found life difficult and\nroles few. While acting on the road, she married her voice coach, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm2356681/\">Herbert Greene</a>, a well-known and respected Broadway conductor and musical director, and they moved together to Palm Springs, California. After seven years, she left him\nand returned to Hollywood, determined to try to restart her career. She was surprisingly successful and performed in several shows, including <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074074/\">Wonder Woman (1975)</a>, where she played Hippolyta,\nthe mother of Wonder Woman (<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0004812/\">Lynda Carter</a>) and Wonder Girl (<a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000700/\">Debra Winger</a>). She also appeared in the landmark miniseries <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075572/\">Roots (1977)</a>. She appeared in four episodes of <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077008/\">Fantasy Island (1977)</a> and one episode of <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075529/\">The Love Boat (1977)</a>, two shows produced by her former husband, Aaron Spelling. In 1979, both of Jones's parents died; her mother from pancreatic cancer. She took on the role of Myrna Clegg on the soap <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083397/\">Capitol (1982)</a> from 1982 to 1983, despite having been diagnosed with colon cancer in 1981. She underwent aggressive treatment for the cancer, but it returned during her time on the show and she was told it was terminal.<br/><br/>She played some scenes despite being confined to a wheelchair and working in great pain. Knowing time was short, she married her boyfriend of five years, <a class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1125203/\">Peter Bailey-Britton</a>, in September\n1982. She died on August 3, 1983, aged 53. She had told her sister Bette that she wanted her epitaph to be "She gave joy to the world." She certainly had many friends who loved her greatly, and many fans who enjoyed her wonderful performances.",
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