Micheál MacLiammóir was a theatrical giant who dominated Irish theatre
for over 50 years. Actor, designer, playwright and brilliant raconteur
he was very much his own creation. He cut an imposing figure under the
spotlight and in real life dressed flamboyantly wearing full make-up at
all times and a jet black hairpiece. When he died in 1978 aged 79 The
Irish Times wrote, "Nobody can assess the contribution that Micheál MacLiammóir made to Irish theatre." Throughout his life MacLiammóir closely guarded the fact that he was not in fact Irish at all but had
been born in London. As Alfred Willmore he had been a child actor on
the London stage in the company of
Noël Coward. He later travelled
widely throughout Europe, studying arts and languages, before reaching
Ireland where he met his future partner, the actor
Hilton Edwards. In
1928 the two men started the world famous Gate Theatre in Dublin and
among the early players were
James Mason and
Orson Welles, the latter employing him later to be Iago to Welles' cinematic Othello.
MacLiammóir appeared on Broadway in the 1930s and from the 1950s onwards toured
the world in an acclaimed one man show 'The Importance of Being Oscar',
based on the life of
Oscar Wilde. He followed this in 1963 with 'I Must
Be Talking to My Friends', a show about Irish writers, and lastly with
'Talking About Yeats', his final one man entertainment. On MacLiammóir's
death Sir
John Gielgud commented, "Designer, wit, linguist and boon
companion as well as actor, he was a uniquely talented and delightful
creature."