Walter Mirisch and brothers
Marvin Mirisch and
Harold Mirisch were one of the most
successful producing teams in Hollywood history. Their Mirisch Company
produced such diverse hits as
Some Like It Hot (1959),
The Magnificent Seven (1960),
West Side Story (1961),
The Great Escape (1963),
The Pink Panther (1963) and many others. Most of their films were financed and released
by United Artists, and through a stock swap in 1963 the brothers
acquired the company. They stayed on with UA and their production
relationships with producer/directors like
Billy Wilder,
Blake Edwards and
John Sturges
became the model by which Hollywood makes movies today.
Starting out as a producer on such low-budget "B" fare at Monogram
Pictures as
Bomba: The Jungle Boy (1949), Mirisch rose to become one of Hollywood's leading
industry statesman. He was a visionary who, in the declining years of
the Hollywood studio system, could see that the future lay with the
independent producers. Operating out of rented office space at the old
Samuel Goldwyn lot in Hollywood, the Mirisches kept their overhead low by such
tactics as renting studio stages and facilities only when needed.
Whereas the major studios were still burdened by high overhead and
salaries, the brothers were in a position to attract top talent and
offer high fees and flexible control to up-and-coming directors like
Norman Jewison, who responded with three hits in a row for them -
The Russians Are Coming the Russians Are Coming (1966),
In the Heat of the Night (1967) and
The Thomas Crown Affair (1968).