Bearing a strong resemblance to
Humphrey Bogart certainly helped in
typecasting the handsome, hairy-chested Gerald Mohr into "B" film noir. Born in New
York City in 1914, he was the son of Sigmond Mohr and Henrietta
Noustadt, a Viennese singer. In 1920 his father was killed in a tragic
accident while at work when Mohr was five years old, and he was raised
primarily by his mother and maternal grandfather, who was a
psychologist and associate of Dr.
Sigmund Freud, the famed psychoanalyst.
Mohr became a fervent student of Freud as a result of this association.
He was taught to ride and play piano at an early age and attended the
prestigious Dwight Preparatory School in New York. Even as a teen, Mohr
possessed a smooth vocal delivery and landed a job as a staff
broadcaster for CBS Radio, which in turn opened the door for him to
Orson Welles and his Mercury Theatre. Mohr
made his Broadway debut in the minor role of a gangster in "The
Petrified Forest," the same play that put Bogart on the map.
His first starring role in films came with the serial
Jungle Girl (1941), in which he
played principal villain Slick Latimer. However, because of his
pleasant, distinctive baritone voice, it was radio that became Mohr's
meal ticket during the 1940s, and he signed on for a number of popular
suspense thrillers such as "The Adventures of Philip Marlowe" and "The
Whistler." In 1949, "Radio and Television Life" magazine named Mohr as
the Best Male Actor on Radio.
After a number of bit parts, he finally won a noticeable role in
Lady of Burlesque (1943) with
Barbara Stanwyck, after Welles referred
him to the film's director,
William A. Wellman. Following WWII
service with the Air Force, Mohr returned to acting and found his niche
in intrigue, playing the title role in
The Notorious Lone Wolf (1946)
and its two sequels, along with
Passkey to Danger (1946),
Dangerous Business (1946) and
The Truth About Murder (1946).
As much as he wanted to extricate himself from this trenchcoat
stereotype, he continued to chug along in the 1950s with the same type
of roles represented by
The Sniper (1952),
Invasion, U.S.A. (1952) and
Guns Girls and Gangsters (1959).
His final leads were in
This Rebel Breed (1960) and the
low-grade sci-fi thriller
The Angry Red Planet (1959).
In 1954-55 he starred as Christopher Storm in 41 episodes of the
Swedish-made TV series
Foreign Intrigue (1951).
Finding film work scarce in the following decade, he found regular work
on TV, guest starring in over 100 dramas, ranging from TV westerns like
Maverick (1957),
Bronco (1958),
Cheyenne (1955) and
Bonanza (1959) to action/courtroom
series such as
77 Sunset Strip (1958),
Hawaiian Eye (1959) and
Perry Mason (1957), among many
others.
His last movie role came in the top-notch musical
Funny Girl (1968) starring
Barbra Streisand and
Omar Sharif, in which Mohr was featured as
Tom Branca, one of Nicky Arnstein's cronies, who offers to help Fanny
Brice out by giving the proud but debt-ridden gambler a prime casino
job.
Mohr was overseas in Stockholm, Sweden, where he had just completed
filming the pilot of a new TV series called "Private Entrance" when he
suddenly died of a heart attack at the age of 54.