Francesco Rosi

Francesco Rosi

WriterDirectorSecond Unit or Assistant Director
Born
November 15, 1922
Died
January 10, 2015
Awards
44 wins, 69 nominations

His father was a shipowner. After school, Rosi initially began studying law, which he soon dropped out to work as a broadcast journalist and book illustrator in Naples. From 1944 to 1945 he worked for "Radio Napoli". In the immediate post-war years, Rosi moved to Rome, where he came into contact…

Biography

His father was a shipowner. After school, Rosi initially began studying law, which he soon dropped out to work as a broadcast journalist and book illustrator in Naples. From 1944 to 1945 he worked for "Radio Napoli". In the immediate post-war years, Rosi moved to Rome, where he came into contact with the film world. He initially acted as an assistant to several directors and thus played a key role in the development of Italian "Neorealismo". From 1947 to 1948, Rosi assisted Luchino Visconti in the filming of the masterpiece of neorealism "La terra trema". In addition to working on other Visconti films, he also studied with Michelangelo Antonioni. In 1957 Rosi celebrated his directorial debut with "La sfida".

The success led to a long series of films in the following decades, some of which courageously dealt with unpleasant and critical topics in Italian post-war society. Rosi's films such as "Le mani sulla città" (1963), "Cadaveri eccellenti" (1976) and "Cristo si è fermato a Eboli" (1979) are dedicated to the ruthless analysis of events in contemporary Italian history and the present. The director bluntly denounces the grievances resulting from war, crime and corruption as social processes that are tolerated, accepted or even intended by political power. With the film adaptation of the opera "Carmen" (1984) and the novel by Gabriel García Márquez "Cronaca di una morte annunciata" (1987), Rosi approached emotional productions, abandoning his previous materialistic analysis.

However, both films remain connected to the basic theme of Rosi's work, the Italian South, which the director deepened again through the pessimistic study of the global character of the Italian-American mafia in "Dimenticare Palermo" (1989). Rosi received numerous awards for his work. His directorial debut won an award in Venice in 1958. In 1962 he was awarded the Berlin Silver Bear for the film about "Salvatore Giuliano". In 2000 he received the "Grand Prix des Amériques" in Montreal for his life's work.

Francesco Rosi is married to Giancarla Rosi Mandelli and lives in Rome.

Actor

Caro PaoloCaro Paolo(2013)as Narrator
Diario senza dateDiario senza date(1995)
Salvatore GiulianoSalvatore Giuliano(1962)as Narrator
Sunday in AugustSunday in August(1950)as Lo scrittore con gli occhiali
Dove sta ZazàDove sta Zazà(1947)as Domestico dell'Americano

Second Unit or Assistant Director

The Great BeautyThe Great Beauty(2013)
Kean: Genius or ScoundrelKean: Genius or Scoundrel(1957)
The BigamistThe Bigamist(1956)
ForbiddenForbidden(1955)
SensoSenso(1954)

Visual Effects

Kean: Genius or ScoundrelKean: Genius or Scoundrel(1957)

Additional Crew

Documenti su Giuseppe PinelliDocumenti su Giuseppe Pinelli(1970)

Self

Rosi about EboliRosi about Eboli(2022)as Self
Citizen RosiCitizen Rosi(2019)as Self
Water and SugarWater and Sugar(2016)as Self
A proposito di FrancoA proposito di Franco(2015)
Eduardo: La vita che continua(2014)as Self

Archive Sound

Les Nuits de France CultureLes Nuits de France Culture(1994)as Self

Known for

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Credit Score: Francesco Rosi

987
196119621963
Narrator
Thu Mar 01 1962
#NameScoreYearWinNomKnownWinsNomsVotes
1Salvatore Giuliano3.7519627.3005924

Photos 6

Federico Fellini, Francesco Rosi, and Luchino ViscontiFrancesco Rosi in Hands Over the City (1963)Francesco Rosi in Hands Over the City (1963)Sophia Loren, Omar Sharif, and Francesco Rosi in More Than a Miracle (1967)Francesco RosiFrancesco Rosi