Aubrey Schenck practiced law for seven years (1932-39) in New York
City, connected with the legal department of 20th Century-Fox; he was
also an assistant to Fox president
Spyros P. Skouras, who was based in New York.
Schenck wrote a story and submitted it to the studio, asking to be
given the chance to produce the picture as well. When the resultant
movie (
Shock (1946) with
Vincent Price) turned out well, Schenck went on to work
on other Fox films, then shifted to newly-formed Eagle-Lion Pictures.
In the 1950s, Schenck paired with
Howard W. Koch and they began their own
indie production company (Bel-Air), releasing their features through
United Artists. Schenck and Koch later went their separate ways (Koch
went to work for Frank Sinatra Enterprises), but Schenck stayed true to
his adventure- and horror-picture roots, adding to his filmography such
titles as
Robinson Crusoe on Mars (1964),
Superbeast (1972),
Daughters of Satan (1972),
Ambush Bay (1966) and others.