Stephen Talbot

Born in Hollywood, the son of actor Lyle Talbot, Stephen Talbot became a child actor, appearing as Beaver's friend, Gilbert, in more than 50 episodes of the iconic baby boomer series "Leave It To Beaver." He also appeared in many TV shows of the late '50s and early '60s, including "Perry Mason," "Lassie," "The Twilight Zone," "Wanted: Dead of Alive," "The Donna Reed Show," and "The Lucy Show."

As an adult, Talbot turned to reporting and documentary filmmaking. He began as a producer and on-air reporter for KQED, the public television station in San Francisco. He had early success with two documentaries that set the tone for his career: "Broken Arrow" (1980) an investigation of nuclear weapons accidents, and "The Case of Dashiell Hammett" (1982), a portrait of the mystery writer. Both films won George Foster Peabody Awards.

Talbot began producing documentaries for the critically acclaimed PBS series, "Frontline," in 1992 with his film on the Bush-Clinton presidential race, "The Best Campaign Money Can Buy," which won a DuPont / Columbia University Award. It was the start of a long association with "Frontline," where he produced and wrote ten documentaries for the series, including "News War: What's Happening to the News" (2007), "Justice for Sale" (1999), "Spying on Saddam" (1999), "The Long March of Newt Gingrich" (1996), "Rush Limbaugh's America" (1995) and "The Heartbeat of America" (1993) about the travails of General Motors.

When "Frontline's" executive producer David Fanning launched an international news magazine series, "Frontline World," in 2002, he named Talbot as the Series Editor with a mandate to increase global reporting in the wake of 9/11 and to develop a new generation of younger reporters and producers. From 2002-2008, Talbot was instrumental in recruiting new talent and in commissioning and supervising over 100 broadcast stories for 30 hour-long episodes of the Emmy award-winning series. He also went to Lebanon and Syria to produce his own report, "The Earthquake," about Lebanon's Cedar Revolution with correspondent Kate Seelye. Talbot also oversaw "Rough Cuts," a series of original videos for the "Frontline World" website.

Throughout his career of more than 40 years in public television, Talbot has continued to produce history documentaries and biographies, alongside his broadcast journalism work. With David Davis, Talbot wrote and directed "The Sixties: The Years That Shaped a Generation," a two-hour history special that aired nationally on PBS in 2005. It was based on Talbot's earlier film, "1968." Talbot has also written and co-produced several biographies of noted writers, including Ken Kesey, Carlos Fuentes, Beryl Markham, Maxine Hong Kingston and John Dos Passos.

In 2008, he formed The Talbot Players, an independent media company in San Francisco, with his brother David and sister Margaret, and executive produced two music show specials for PBS, "Sound Tracks: Music Without Borders," in 2010 and 2012 with host Marco Werman, as well as an online companion series of music performances and interviews.

Talbot also continues to serve as senior producer or executive producer for a number of independent documentaries, such as director Mimi Chakarova's expose of sex trafficking in Eastern Europe and the Middle East, "The Price of Sex" (2011). He has consulted and senior produced for public media organizations, including the Center for Investigative Reporting and the PBS series Independent Lens.

Talbot's recent documentaries include a one-hour biography he wrote for public television about the late San Francisco Mayor George Moscone, "Moscone: A Legacy of Change" (2018) and four documentaries he co-wrote and co-produced for the NBC series "Bay Area Revelations," including regional Emmy winners , "Loma Prieta Earthquake: 30 Years Later" (2019) and "Riding the Waves" (2020) about surfing in northern California.

Talbot's latest film, "The Movement and the 'Madman,' " (2023) debuted on the PBS series American Experience. It tells the story of how two major anti-war demonstrations in the fall of 1969 pressured President Nixon to call off his "madman" plans for a major escalation of the war, including threats to use nuclear weapons.