George Tomasini

EditorEditorial DepartmentSound Department
Born
April 20, 1909
Died
November 22, 1964
Awards
0 wins, 1 nominations

George Tomasini has been something of an unsung hero in the editing business. He was for several years under contract to Paramount, before joining Alfred Hitchcock to collaborate on nine projects, beginning with Rear Window (1954). This partnership was to span a ten-year period, ending in Tomasini's…

Biography

George Tomasini has been something of an unsung hero in the editing business. He was for several years under contract to Paramount, before joining Alfred Hitchcock to collaborate on nine projects, beginning with Rear Window (1954). This partnership was to span a ten-year period, ending in Tomasini's premature death from a massive heart attack at the age of 55. Hitch's subsequent films never again enjoyed the same level of artistic success. While Tomasini may not have had the same creative freedom in selecting his own shots as other editors, he nonetheless became highly intuitive about the director's wishes. Tomasini was a master of time and space in editing to heighten suspense and determine mood. Much of Hitch's best films were strongly driven by editing, in particular Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963) (another classic, the sub-Hitchcockian thriller Cape Fear (1962) also falls into this category, though directed by J. Lee Thompson).

Tall and handsome, Tomasini was married to glamorous Hollywood star Mary Brian.

Sound Department

Union PacificUnion Pacific(1939)

Editorial Department

Red, Hot and BlueRed, Hot and Blue(1949)
Night Has a Thousand EyesNight Has a Thousand Eyes(1948)
Beyond GloryBeyond Glory(1948)

Known for

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