The daughter of a retired sea captain and his much-younger wife,
actress Norma Varden was born and raised in turn-of-the-century London.
A piano prodigy, she studied in Paris and appeared in concert in
England during her teenage years. Acting, however, became her career of
choice, studying at the Guildhall School of Music. She took her very
first stage bow in a production of Peter Pan. In the adult role of Mrs.
Darling, she was actually younger than the actors playing her children.
In years to come, Norma would play a number of mature, lady-like roles
that were much older than she was.
She performed Shakespeare in repertory and was at first cast in
dramatic plays such as The Wandering Jew (1920-her West End debut) and
Hamlet (1925) as the Player Queen. In various acting companies, she
eventually found a flair for comedy and became the resident character
comedienne for the famous Aldwych Theatre farce-ers from 1929 to 1933 à
la Marx Bros. foil
Margaret Dumont. Finding success there in the comedies A
Night Like This and Turkey Time, she later recreated both roles on
British film a couple of years later. She went on to prove herself a
minor but avid scene-stealer in such movies as
Evergreen (1934),
The Iron Duke (1934),
Stormy Weather (1935) and
East Meets West (1936), quickly finding an amusing niche as a haughty
society maven. She played both benevolent and supercilious with equal
ease -- her height (5'7-1/2"), elongated oval face, vacant manner,
plummy voice and slightly drowsy eyes adding immensely to the look and
amusement of her characters.
In the early 1940s, the veteran actress visited California, accompanied
by her ailing, widowed mother, for a take on the warmer climate and
decided to permanently settle. Again, she found herself in demand as a
now silvery-haired duchess, queen or Lady something, albeit in less
meaty, sometimes even unbilled parts. Although she could dress down
when called upon as a bar maid, nurse and landlady, she usually was
asked to provide the requisite atmosphere for glossy, opulent settings.
Her more noticeable roles came as lecherous
Robert Benchley's wealthy, put-upon
wife in
The Major and the Minor (1942); the vile Lady Abbott in
Forever Amber (1947); the giddy socialite
nearly strangled by
Robert Walker in Hitchcock's classic
Strangers on a Train (1951); the
impressively bejeweled wife of
Charles Coburn, whom
Marilyn Monroe fawns over in
Gentlemen Prefer Blondes (1953); and the Von Trapp housekeeper Frau Schmidt in
The Sound of Music (1965).
Norma became a steadfast radio and TV comedy foil during the 40s, 50s
and 60s, often at the mercy of a
Lucille Ball or
Jack Benny. Her longest radio
part was as
Basil Rathbone's housekeeper on his Sherlock Holmes radio series.
On TV, she appeared in such shows as
Mister Ed (1961),
The Beverly Hillbillies (1962),
Bewitched (1964) and
Batman (1966) She had recurring roles as Betty Hutton's aunt on
The Betty Hutton Show (1959) and
as
Shirley Booth's neighbor on
Hazel (1961). Never married, Norma's mother passed
away in 1969, and the actress retired shortly after. She died of heart
failure in 1989, a day before her 91st birthday.