One of the earliest and best-loved comedians of Indian Cinema, Johnny
Walker brought smiles and amusement to all whenever he was on film.
Christening himself after the famous Scotch whisky, Walker would drive
audiences wild with laughter with his squeaky voice, pencil-thin
moustache and his now-classic drunken antics. Everyone, cast, crew and
audience alike, loved his iconic image of the hero's comic and often
drunk sidekick, who would cause comedy to occur in the film.
Ironically, his drunken image was a stark contrast to his real-life
persona, which was that of a sober and humble soul
He was born Badruddin Jamaluddin Kazi on May 15, 1923. The son of a
textile mill worker, he did not find life easy; he was one of a family
of fifteen members, out of which five relatives died young, and the
mill where his father worked closed down, causing the family to come to
Bombay. There Kazi tried his hand at several jobs, and eventually
secured a post as a bus conductor in the B.E.S.T (Bombay Electric
Supply and Transport) bus service.
Kazi would often be seen working on the Dadar bus depot. Sometimes he
would entertain his passengers with antics that would send them into
splits of laughter, and he had an uncanny ability for inventing such
routines on the spot. This knack got him spotted by actor/writer
Balraj Sahni, who was writing
Gamble (1951) for
Guru Dutt at the time. Sahni
introduced Kazi to Dutt, who was so impressed by Kazi's performance as
a drunk that he immediately wrote a role for him into his directorial
film
Gamble (1951).
His performance in
Gamble (1951) was so well
received that Walker and Dutt would later on work together in films.
Dutt cast him in some of his own memorable films; some of Walker's most
loved roles are Master the pickpocket in
C.I.D. (1956) and the masseur Abdul Sattar
in
Thirst (1957). Walker always had the
best comic lines and the most popular and hummable tunes in Dutt's
films. Dutt and Walker were also the best of friends and often went out
on expeditions together, and on Dutt's suicide Walker was deeply
shocked and grieved by the loss of his friend.
His popularity reached such heights that he got his own film,
Johnny Walker (1957)! He was also
hired by other directors to act in their own films, the most notable of
these being
B.R. Chopra's
Naya Daur (1957),
Bimal Roy's
Madhumati (1958) (the latter for which
he won his first Filmfare Award), and
K. Asif's
Mughal-E-Azam (1960). Despite his
fame, he was a humble soul and kept a low profile
He slowly began to fade out in the 1960s, as
Mehmood took over as the new king of
comedy. He kept working in films, though, most notably in
Shikar (1968), for which he won his second
and final Filmfare Award; and in
Anand (1971), where he was unusually seen
in a serious role and even more unusually excelled in it, showing the
remarkable talent he still held.
His last role was as a make-up artist in
Kamal Haasan's
Chachi 420 (1997). He was, naturally,
seen with a bottle of alcohol! It was a fitting curtain call for
Bollywood's original king of comedy...