Tomás Deola works in cultural production, focusing on management and executive production, ensuring execution and financial control throughout all stages of projects, including the accountability of incentives resources, particularly those from the Culture Incentive Law, federal funds, FCC, SEEC-PR, Rio Filme, FCCR, among others.
Among the productions he has worked on, notable ones include the film in production Nova Éden, directed by Aly Muritiba, the 13th Olhar de Cinema, and the 1st Cinenaguá - Paranaguá Classic Film Festival.
In the audiovisual sector, he serves as a Financial Controller for projects supported by funds managed by Ancine, ensuring financial oversight and feasibility from writing and development to final accountability, working closely with the executive production team. He also works as an Executive Production Assistant.
Among the projects he has been involved in, highlights include "A Mulher que Chora" (Dir. George Walker, 48th São Paulo Film Festival, Seattle Latino Film Festival Winner, SEVIFF Winner), "Horizonte"(Dir. Jessica Candal, PanormaLab Editing), and Nó (Dir. Laís Melo, Guadalajara Film Festival, Tiradentes Work In Progress Showcase, 14th FEMcine).
As a filmmaker, his focus is on exploring technology and imagery through interfaces such as TouchDesigner and Photoshop. He works between Curitiba, Rio de Janeiro, and São Paulo.
O jardineiro - ou os equinócios de uma memória latente(2025)
Ode to Digress(2024)
Sangue, Açúcar(2023)
Nó(2025)
Put Your Soul on Your Hand and Walk(2025)
Querido trópico(2024)
Transamazonia(2024)
Delirio(2024)
Um homem com um celular(2023)as Self