The Swindle (1955)

The Swindle

Original title: Il bidone
Movie1955Not Rated1h 32m
ComedyCrimeDrama
7.5 / 10(7,746)

A trio of con-men led by a lonesome swindler must deal with their job and family pressures.

Rated
Not Rated
Runtime
1h 32m
Released
1955
Country
Italy, France

Details

Release year: 1955

Storyline

A trio of con-men led by a lonesome swindler must deal with their job and family pressures.

Top credits

Cast
See all 38 credits →

Did you know

This film is both a stand-alone movie and the centerpiece of Federico Fellini's unofficial "trilogy of loneliness", preceded by La Strada (1954) and followed by Nights of Cabiria (1957). All three are key works marking the last great moments of Italian neorealism, which was waning as central figures like Roberto Rossellini and Vittorio De Sica moved to different genres. In the 1950s, he still held the neorealist conviction that nothing is more dramatic than the lives of ordinary people transferred to the screen with a minimum of embellishment.

Nino Rota subsequently reused a fanfare from the musical score for this film in Fortunella (1958).

Federico Fellini originally had intended Humphrey Bogart for the role of Augusto, but, learning of Bogart being ill with cancer, finally chose Broderick Crawford for the part. Fellini took full advantage of that when he cast Anthony Quinn and Richard Basehart in La Strada (1954) and then invited Basehart back for this movie along with Crawford, who had won the Academy Award® for Best Actor with his work in Robert Rossen's political drama All the King's Men (1949). Crawford's scowling face and burly frame were ideal for the immoral Augusto, and Basehart complements him with an innocent handsomeness.

User reviews

8/10

The middle chapter in Fellini's "trilogy of loneliness"

👍 33 · 2/23/2007
8/10

A Heart Wrenching Comedy

👍 18 · 2/3/2006
8/10

Before you find "Il Bidone" sympathetic, keep in mind it's part of their 'job' ...

👍 13 · 8/16/2011

Technical specs

Sound mix
Mono
Aspect ratio
1.37 : 1
Color
Black and White

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