Henri Rousseau (Le Douanier) was born on May 21, 1844, in Laval,
Northern France. His father was a plumber. Young Rousseau finished the
Lycee in Laval and started as a lawyer's clerk. From 1863-1868 he
served in the French Army. From 1869-1893 Russeau worked in a toll
booth on the edge of Paris, as a municipal toll collector. For that job
he was called "Le Douanier." He never really was a customs officer, but
a second-class clerk; he was never promoted on his job and basically
collected a fee from farmers coming to Paris markets.
Rousseau began painting in his forties. In 1884 he obtained a permit to
sketch in the national museums and spent many hours sketching classical
art masterpieces in the Louvre. His job as a toll collector gave him
little income, but much time to paint. He also earned some cash as a
street musician. Rousseau was self-taught, although he admitted he had
received some advice from established Academic artists, including that
of Jean-Leon Gerome. Rousseau was inspired by the jungle, but he never
was there. His sources of imagination were illustrated books and visits
to the Zoo and Botanical Gardens in Paris. He also used images from a
drawing book of his daughter. He could paint bananas growing
upside-down and in a few paintings he grouped animals from different
continents, that in reality could never have been seen together. It was
the genuine feeling and high decorative quality of his paintings that
brought him attention from other artists.
Pablo Picasso saw a painting by Rousseau
being sold on the street as a canvas to be painted over. Picasso bought
Rousseau's paintings in recognition of his genius.
His child-like art was created in the Post-Impressionist period and was
categorized as Naive or Primitive. From 1886 Rousseau exhibited every
year at the Salon des Independants along with the works of
Georges Seurat, Armand Guillaumin, Odilon
Redon, Paul Signac,
Paul Gauguin, and other
Post-Impressionists. His greatest wish was to master an academic style,
and he genuinely believed that his pictures were real and convincing.
Rousseau himself was such a sincere and genuine person, that he
interpreted even sarcastic remarks literally and took them as praise.
His positive disposition helped him endure great poverty. His working
class background was seen as his big drawback by many contemporary
critics. Finally the innocence and charm of his works won him the
admiration of the leading artists. In 1905 he exhibited his large
jungle composition 'The Hungry Lion Throws Itself on the Antelope'
along with
Henri Matisse at the first
showing of Les Fauves (The Wild Ones).
Rousseau had an influence on such artists as
Pablo Picasso, Robert Delaunay,
Wassily Kandinsky, Félix Vallotton,
Paul Gauguin, and many others. In 1908
Pablo Picasso bought a few works from
Rousseau and gave a banquet at his studio in Rousseau's honor. At the
banquet Rousseu was praised by
Guillaume Apollinaire, Robert
Delaunay, Max Jacob and by other artists in a manner, which was
half-serious, half-burlesque. Rousseau sincerely believed in the
serious half, and later told Picasso: "There are only two real artists
in the world, you in "Egyptian style" and I am in "Classical." That's
how different and naive was the world of Rousseau, whose genuine views
impressed
Pablo Picasso as much as his
works. During 1909 and 1910 many of Rousseau's paintings were acquired
by the dealers Ambroise Vollard and Joseph Brummer. Rousseau's
paintings were shown posthumously in 1911, in a retrospective
exhibition at the Salon des Independants. Rousseau's works were chosen
by
Wassily Kandinsky for the first
exhibitions of Der Blaue Reiter (The Blue Rider) in 1911 and 1912 that
toured Germany. The surrealist movement later considered Rousseau as
one of their forerunners.
Henri Rousseau died on September 2, 1910, in Paris, and was laid to
rest in the Cimetiere de Bagneux, in Paris, France.
Guillaume Apollinaire wrote the
epitaph on Rousseau's tombstone:
We salute you Gentile Rousseau you can hear us
Delaunay his wife Monsier Queval and myself
Let our luggage pass duty free through the gates of heaven
We will bring you brushes paints and canvas
That you may spend your sacred leisure in the light of truth
Painting as you once did my portrait
Facing the stars