Norman Taurog

Norman Taurog

DirectorWriterActor
Born
February 23, 1899
Died
April 7, 1981
Awards
3 wins, 9 nominations

A successful child actor (on stage from 1907) and rather less successful romantic lead, baby-faced Norman Taurog found being behind the camera a more rewarding experience. Before becoming a director, he paid his dues as a prop man and editor. By 1919, he was put in charge of two-reel comedies,…

Biography

A successful child actor (on stage from 1907) and rather less successful romantic lead, baby-faced Norman Taurog found being behind the camera a more rewarding experience. Before becoming a director, he paid his dues as a prop man and editor. By 1919, he was put in charge of two-reel comedies, starring the comic Larry Semon. These films were made on the East Coast and it was not until 1926, that Taurog moved to Hollywood. His directing career really took off with the coming of sound, and he soon acquired a reputation as a specialist in light comedy. He also developed a singular penchant for working with children, often giving them chocolate rewards for good acting. They, in turn, called him 'Uncle Norman'. Taurog became the youngest-ever director to win an Oscar. This was for the film Skippy (1931), which featured child actor Jackie Cooper, his real-life nephew.

Taurog was under contract at Paramount from 1930 to 1936. The pick-of-the-bunch among his films - and a solid box office hit - was Mrs. Wiggs of the Cabbage Patch (1934), starring the noted stage actress Pauline Lord, comedienne Zasu Pitts and the irrepressible, idiosyncratic W.C. Fields. On loan to David O. Selznick, he also did justice to Mark Twain by creating just the right atmosphere for The Adventures of Tom Sawyer (1938), eliciting a strong performance from Jackie Moran in the role of Huck Finn. Initial footage had been in black & white, but Taurog discarded this and re-shot the film in Technicolor, which worked particularly well with art director Lyle R. Wheeler.

After a stint with Fox (1936-37), Taurog then had his best (and longest) spell with MGM (1938-51). His A-grade assignments for the studio included the iconic Boys Town (1938), the exuberant Broadway Melody of 1940 (1940) and the thoroughly entertaining Judy Garland musical Presenting Lily Mars (1943), based on a best-selling novel by Booth Tarkington. In 1952, he returned to Paramount, where he was utilised on the strength of his proven ability to make films economically and on time. Taurog made the most out of the feather-light scripts he was handed for a string of comedies with Dean Martin and/or Jerry Lewis. He was also a favorite of Elvis Presley, directing in total nine of his films.

As the law of diminishing returns applied, Taurog retired in 1968. He later taught at the University of California School of Cinema and remained a board member of the Director's Guild. He became blind towards the end of his life, but for his last years served as director of the Braille Institute in Los Angeles.

Actor

The Fly CopThe Fly Cop(1920)as Bit Part
Tangled RelationsTangled Relations(1912)as One of the Children

Second Unit or Assistant Director

Girl CrazyGirl Crazy(1932)

Additional Crew

RationingRationing(1944)
Billy the KidBilly the Kid(1941)

Self

This Is Your LifeThis Is Your Life(1950)as Self, Self - Guest
Hollywood RhythmHollywood Rhythm(1934)as Self

Archive Sound

American MastersAmerican Masters(1985)as Self - Director

Known for

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Photos 9

"Living It Up," Jerry Lewis, Director Norman Taurog, Johnny Taurog, & Dean Martin behind the Scenes. 1959 ParamountElvis Presley, Loyal Griggs, Juliet Prowse, Norman Taurog, and James Grant in G.I. Blues (1960)Elvis Presley, Norman Taurog, and James Grant in G.I. Blues (1960)Daniele Amfitheatrof, Bob Considine, Samuel Marx, Norman Taurog, and Frank Wead in The Beginning or the End (1947)Norman TaurogElvis Presley, Norman Taurog (director), and Hal B. Wallis (producer) on location for "Girls! Girls! Girls!" Paramount, 1962.